![An image of Iwai Kumesaburô II as Agemaki in Sukeroku yukari no Edo zakura (Sukeroku’s affinity for the cherry blossoms of Edo). Kunisada, Utagawa (Japanese, 1786-1865). Surimono. Colour prints from woodblocks, with metallic pigment and blind embossing (karazuri). Shikishiban. Signed: Kôchôrô Kunisada ga, with artist’s double toshidama seal (left sheet). Poets: Ryûkatei Fûshi Mizugaki and Ryûôtei Hananari (right) and Ryûôtei Hananari (left). c.1830. Ukiyo-e. Notes: Two sheets from a set of five showing a scene from one of the Eighteen Plays (Kabuki Jûhachiban) selected by Danjûrô VII as specially associated with the Ichikawa lineage of actors. The missing central sheet shows Danjûrô VII in the role of Sukeroku. The missing outer sheets show the villain Ikyû (right) and the noodle-seller Fukeroku (left). The print was probably made in connection with a performance planned in Osaka for New Year of 1830. The actors’ journey from Edo is reflected in the imagery of the poems. However, Iwai was summoned back to Edo by the city administration (machi-bugyo), as he was being sued by the head of the Ichimura theatre, so the performance could not take place as planned. Sukeroku is in reality Soga no Gorô, while Shimbei the sake seller is actually Gorô’s gentler elder brother, Soga no Jûrô (he wears a costume decorated with the Jûro’s flying-plovers pattern, see P.502-1937). Sukeroku learns that his missing heirloom sword Tomokirimaru is in the possession of Ikyû, the patron of Sukeroku’s secret lover Agemaki, who is a Yoshiwara courtesan. He subsequently wins the sword back in a fight in which Ikkyû is killed, and escapes with the help of Agemaki. A poem on the sheet depicting Kumesaburo alludes to irises, one of the actor’s symbols, while the reference to Edo purple (murasaki) also alludes to the purple headband worn by Sukeroku in this play: ‘Lovely coloured strands of iris flowers, purple as Edo, flow in streams to Naniwa [Osaka] and knot Agemaki](https://data.fitzmuseum.cam.ac.uk/imagestore/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/647/356/large_P_501_1937_mas.jpg)
These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.
Download this imageCreative commons explained - what it means, how you can use our's and other people's content.
Iwai Kumesaburô II as Agemaki in Sukeroku yukari no Edo zakura (Sukeroku’s affinity for the cherry blossoms of Edo). Kunisada, Utagawa (Japanese, 1786-1865). Surimono. Colour prints from woodblocks, with metallic pigment and blind embossing (karazuri). Shikishiban. Signed: Kôchôrô Kunisada ga, with artist’s double toshidama seal (left sheet). Poets: Ryûkatei Fûshi Mizugaki and Ryûôtei Hananari (right) and Ryûôtei Hananari (left). c.1830. Ukiyo-e. Notes: Two sheets from a set of five showing a scene from one of the Eighteen Plays (Kabuki Jûhachiban) selected by Danjûrô VII as specially associated with the Ichikawa lineage of actors. The missing central sheet shows Danjûrô VII in the role of Sukeroku. The missing outer sheets show the villain Ikyû (right) and the noodle-seller Fukeroku (left). The print was probably made in connection with a performance planned in Osaka for New Year of 1830. The actors’ journey from Edo is reflected in the imagery of the poems. However, Iwai was summoned back to Edo by the city administration (machi-bugyo), as he was being sued by the head of the Ichimura theatre, so the performance could not take place as planned. Sukeroku is in reality Soga no Gorô, while Shimbei the sake seller is actually Gorô’s gentler elder brother, Soga no Jûrô (he wears a costume decorated with the Jûro’s flying-plovers pattern, see P.502-1937). Sukeroku learns that his missing heirloom sword Tomokirimaru is in the possession of Ikyû, the patron of Sukeroku’s secret lover Agemaki, who is a Yoshiwara courtesan. He subsequently wins the sword back in a fight in which Ikkyû is killed, and escapes with the help of Agemaki. A poem on the sheet depicting Kumesaburo alludes to irises, one of the actor’s symbols, while the reference to Edo purple (murasaki) also alludes to the purple headband worn by Sukeroku in this play: ‘Lovely coloured strands of iris flowers, purple as Edo, flow in streams to Naniwa [Osaka] and knot Agemaki
rgb(236,216,181), rgb(105,60,23), rgb(174,145,103), rgb(159,112,61), rgb(185,70,26), rgb(153,144,128), rgb(165,164,146), rgb(112,105,78), rgb(194,172,141), rgb(251,244,221), rgb(108,92,92)
This page can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024)
"Iwai Kumesaburo II as Agemaki in Sukeroku yukari no Edo zakura, by Utagawa Kunisada"
Web page available at: https://collection.beta.fitz.ms/id/image/media-2680599903 Accessed: 2024-11-29 03:05:51
To cite this page on Wikipedia you can use this code snippet:
{{cite web|url=https://collection.beta.fitz.ms/id/image/media-2680599903
|title=Iwai Kumesaburo II as Agemaki in Sukeroku yukari no Edo zakura, by Utagawa Kunisada
|author=The Fitzwilliam Museum|accessdate=2024-11-29 03:05:51|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://collection.beta.fitz.ms/api/v1/images/media-218613
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/pdp/pdp82/P_501_1937_dc2.jpg"
alt="Iwai Kumesaburô II as Agemaki in Sukeroku yukari no Edo zakura (Sukeroku’s affinity for the cherry blossoms of Edo)"
class="img-fluid" />
<figcaption class="figure-caption text-info">Iwai Kumesaburo II as Agemaki in Sukeroku yukari no Edo zakura, by Utagawa Kunisada</figcaption>
</figure>
</div>
Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...
