Pamela is married, by Antoine Benoist after Joseph Highmore

An image of Pamela is married. Plate 9. Adventures of Pamela. Benoist, Antoine (French, in Britain, 1721-1770). After Highmore, Joseph (British, 1692-1780). Richardson, Samuel, author. Etching, engraving, 1745.

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Pamela is married. Plate 9. Adventures of Pamela. Benoist, Antoine (French, in Britain, 1721-1770). After Highmore, Joseph (British, 1692-1780). Richardson, Samuel, author. Etching, engraving, 1745.

Image data

Accession Number: P.24-1979
Photograph copyright © The Fitzwilliam Museum, Cambridge.
Aperture: f/13.0
Focal length: 80
Camera: Hasselblad H4D-31
Photographer name: Andrew Norman
Image height: 822 pixels
Image width: 1024 pixels
Processed with: Adobe Photoshop Lightroom 5.0 (Windows)
Filesize: 217.83kB
Exposure time: 1/125
ISO Speed: 100
Fnumber: 13/1

Key words

18th Century Antoine Benoist Benoist British School ceremonial ceremonies ceremony characters clergy clergyman cleric clothes clothing coat costume dress Early Rococo English engraving etching fashion fashionable female fictional Fitz_PDP French frock coat Georgian gown grey wig Highmore housewife husband husband and wife interior Joseph Highmore ladies lady lattice windows literary literary figures literature maids maidservant male marriage marriage ceremony married nuptials overcoat Pamela powdered wig print Rococo Samuel Richardson wedded couple weddings wife wigs window windows woman

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            The Fitzwilliam Museum (2024)
            "Pamela is married, by Antoine Benoist after Joseph Highmore"
            Web page available at: https://collection.beta.fitz.ms/id/image/media-417497822 Accessed: 2024-11-20 13:25:10

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            {{cite web|url=https://collection.beta.fitz.ms/id/image/media-417497822
            |title=Pamela is married, by Antoine Benoist after Joseph Highmore
            |author=The Fitzwilliam Museum|accessdate=2024-11-20 13:25:10|publisher=The
            University of Cambridge}}

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        <figcaption class="figure-caption text-info">Pamela is married, by Antoine Benoist after Joseph Highmore</figcaption>
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