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Miniature from an Antiphoner

Image attached to MS McClean 201.17

An image of Illuminated manuscript. Cutting. Miniature from an Antiphoner. Cortese, Cristoforo (Italian, op.1360-1371). Production Place: Italy, Venice, Bologna. Parchment, gold, 260 x 370 mm, three lines of text ruled in pale brown ink and three four-line musical staves ruled in red ink on reverse. Circa 1425 to circa 1435.
CONTENTS: The image introduced the responsory for the first Matins lesson for the feast of Corpus Christi, Im[m]olauit [haedum multitudo filiorum Israel]; on the reverse (the recto of the original leaf), Ps. 2, Cum invocarem (the middle psalm of the first nocturn preceding the first Matins lesson), and the antiphon for this psalm, Communione calicis quo deus ipse sumitur. DECORATION: Large miniature of the Last Supper, accompanying an ornamental initial and surrounded by two-sided foliate border. ORNAMENTATION: Initial [I, 2 text lines and 2 musical staves] formed of stylized foliage and acanthus on burnished gold ground, with the remaining letters of the word (Imola) and the accompanying musical notation in burnished gold leaf on blue ground; on reverse, pink initial [C, 1 text line and 1 musical stave] with foliate infill on burnished gold ground.

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About this image

Illuminated manuscript. Cutting. Miniature from an Antiphoner. Cortese, Cristoforo (Italian, op.1360-1371). Production Place: Italy, Venice, Bologna. Parchment, gold, 260 x 370 mm, three lines of text ruled in pale brown ink and three four-line musical staves ruled in red ink on reverse. Circa 1425 to circa 1435. CONTENTS: The image introduced the responsory for the first Matins lesson for the feast of Corpus Christi, Im[m]olauit [haedum multitudo filiorum Israel]; on the reverse (the recto of the original leaf), Ps. 2, Cum invocarem (the middle psalm of the first nocturn preceding the first Matins lesson), and the antiphon for this psalm, Communione calicis quo deus ipse sumitur. DECORATION: Large miniature of the Last Supper, accompanying an ornamental initial and surrounded by two-sided foliate border. ORNAMENTATION: Initial [I, 2 text lines and 2 musical staves] formed of stylized foliage and acanthus on burnished gold ground, with the remaining letters of the word (Imola) and the accompanying musical notation in burnished gold leaf on blue ground; on reverse, pink initial [C, 1 text line and 1 musical stave] with foliate infill on burnished gold ground.

Image data

  • Accession Number: MS McClean 201.17
  • Photograph copyright © The Fitzwilliam Museum, Cambridge.
  • Photographer name: Andrew Morris
  • Image height: 729 pixels
  • Image width: 1023 pixels
  • Processed with: Adobe Photoshop CS3 Windows
  • Filesize: 180.98kB

Key words

15th Century _WF_AdOK _WF_KWD _WF_OPAC _WF_OPAC_pending antiphonal antiphoner antiphons apostles biblical Bolognese School border burnished Christ Christianity communion Cristoforo Cortese cutting decorative initial disciples Easter elevation of the Host Eucharist eucharistic Fitz_MSPB foliage foliate gold leaf Host initial Italian Jesus Last Supper leaf leaves manuscript margin marginalia Mass miniature New Testament parchment Quattrocento religion religious Renaissance supper Venetian School

Colours in this image

rgb(219,209,186), rgb(52,57,84), rgb(152,120,54), rgb(141,73,47), rgb(146,130,101), rgb(133,135,133), rgb(174,162,141), rgb(250,243,228), rgb(165,138,127), rgb(84,108,122), rgb(76,92,164)

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The Fitzwilliam Museum (2024) "Miniature from an Antiphoner" Web page available at: https://collection.beta.fitz.ms/id/image/media-631850406 Accessed: 2024-11-25 07:15:05

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