15929997790001312637261000Standard Recordobject-157285170292702068417028933060001702926926282fitz-onlineadlib-object-157285https://data.fitzmuseum.cam.ac.uk/id/object/15728553a09e26-f67c-33e5-8cb5-05c3da24fe3e9referenceterm-39778adlib-term-397788bd60ed6-968d-3faf-8ad5-b4e4ee9bb245silverreferenceterm-31364adlib-term-313640ae1aab3-446d-3aea-9a7c-b614e85bc4c2waxExteriorSurfacereferenceterm-125905adlib-term-125905ba823504-b0f1-31ed-ab6a-c91600a35667white-bakingApplied Artssilver, Britannia standard; hand raised with irregularly shaped rim, 'white-baked' to produce an almost matt white surface, and coated with clear wax. The mouth is slightly on one side when the vessel is standing on its baseM.6-20071accession numberM.6-2007157285priref157285urihttps://data.fitzmuseum.cam.ac.uk/id/object/157285https://data.fitzmuseum.cam.ac.uk/id/object/157285on the baselaser cutMAWmaker's markBritanniaon the baselaser cuthallmarkon baselaser cut958hallmarkleopard's headon baselaser cuthallmarkon baselaser cutghallmarkreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGiven by Nicholas and Judith Goodison through The Art Fundreferenceagent-156032adlib-agent-1560323aded83c-6f5c-39b8-a50c-07f712e01b2cGoodison, Nicholas and Judith200720072007-10-08given200620062006silversmithreferenceagent-179556adlib-agent-179556933996ff-de12-3e3b-a214-45100a8ec0beWarren, MaxText from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Max Warren studied Three-Dimensional Design at the University of Brighton followed by a silversmithing residency at Bishopsland Educational Trust and an MA at the Royal College of Art, London. He established his London studio in 2009 and is currently Senior Lecturer on the BA Jewellery Design course at Central Saint Martins. This early work was one of two pieces purchased for the Goodison collection from residents on the postgraduate training programme run by Bishopsland Education Trust. This important trust, established by Oliver and Pope Makower in Oxfordshire, assists talented jewellers and silversmiths to make the transition from student to professional by providing residential workshop training for a year. The surface of this piece was produced by ‘white-baking’: a technique which involves repeated annealing and cleaning of the surface with an acid solution. Subsequently, Warren developed a series of works focusing on the ancient technique of hand-engraving but filtered through the contemporary lens of digital imaging. He exhibits his work throughout Europe.The white surface was produced by annealing the vessel, and cleaning away dirt and oxides with an acid solution (pickle) several timesreferenceterm-109891adlib-term-109891ad6efeb2-90e2-3107-ada3-8348ed09c40f21st Century, Earlyreferenceterm-107700adlib-term-1077008f5360fb-b262-3ae9-8942-b81cc0e3e848Elizabeth IIreferenceterm-106216adlib-term-106216825b8379-ec94-388e-9a59-624e40c090d0literalEnglandEnglandcountryLondonBritannia standard 95.8% silver and 4.2% copper alloyreferenceterm-39778adlib-term-397788bd60ed6-968d-3faf-8ad5-b4e4ee9bb245silverDiametercm16.1Heightcm14.1Weightg568referencemedia-196790adlib-media-196790b3e3c842-03ab-3890-a73f-e92be969e15bjpegaa/aa33/large_M_6_2007_201506_kly25_dc2.jpg1heightpixels834widthpixels102417029264899641imagejpegaa/aa33/mid_M_6_2007_201506_kly25_dc2.jpg1heightpixels407widthpixels50017029264899641imagejpegaa/aa33/M_6_2007_201506_kly25_dc2.jpg1heightpixels835widthpixels102517029264899641imagejpegaa/aa33/preview_M_6_2007_201506_kly25_dc2.jpg1heightpixels204widthpixels25017029264899641image0media
imagereferencemedia-206687adlib-media-206687159ac6af-3b9a-3f71-bcd4-c22474c0948djpegaa/aa37/large_M_6_2007_2_dc2.jpg1heightpixels771widthpixels102417029266140771imagejpegaa/aa37/mid_M_6_2007_2_dc2.jpg1heightpixels377widthpixels50017029266140771imagejpegaa/aa37/M_6_2007_2_dc2.jpg1heightpixels772widthpixels102517029266140771imagejpegaa/aa37/preview_M_6_2007_2_dc2.jpg1heightpixels188widthpixels25017029266140771image1media
imagereferenceterm-89198adlib-term-891989b93ca03-061f-3c1c-a79f-707511cc4791vesselhistory noteBishopsland Educational Trust from which purchased by the donorsreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. p. 156, '6013 Nicholas and Judith Goodison Gift', listed156referencepublication-6267adlib-publication-62670fb78560-70b5-3c3f-85b7-f1e10c0b86f32007/2008 Review, The Annual Report of The Art FundPubl. pp. 198-9, no. 78, object description, illustration and maker's biographyno. 78198-199referencepublication-8258adlib-publication-825871d79ea2-2385-305e-9044-fbb0cde9ffe7Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museumreferenceterm-89198adlib-term-891989b93ca03-061f-3c1c-a79f-707511cc4791vesselvesselBritannia standard silver, hand raised, and 'white-baked' (repeatedly annealed and cleaned in an acid solution or pickle) to produce an almost matt white surface, which is protected by a coating of waxreferenceterm-28810adlib-term-28810c6a00cef-33f7-3107-8666-d791bd49707craising (metal forming process)Spheric Vesselobject
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