IDENTIFIERS
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id:	176554
accession number:	Marlay cutting It. 68

DATE AUDIT
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created:	Saturday 6 August 2011
updated:	Monday 11 September 2023

DESCRIPTIVE DATA
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object type: PHYSICAL DESCRIPTION: Parchment, 193 x 220 mm, three four-line musical staves ruled in red ink and three lines of fragmentary text ruled in brown ink.

CONTENTS: On reverse, part of an antiphon at Matins for Easter Sunday, followed by Ps. 3:1, [Ego dormiui et somnum cepi et exur]rexi quoniam do[minus suscep]it me alleluia alle[luia. Ps. Domin]e quid mul[tiplicati sunt].V.; the initial, which would have been on the verso of the original leaf, introduced the responsory to the first lesson of Matins on Easter Sunday, Angelus descendit de caelo et accedens revolvit lapidem, et super eum sedit, et dixit mulieribus (Mark 16:1-7).

DECORATION: Historiated initial in graded pink with acanthus and fruit extensions on gold ground: [A] The Three Marys being shown Christ’s empty tomb by an angel bearing a scroll with the legend SURREXIT. [NON] EST HIC. ALLELUIA.
title:	cutting (manuscript)

NOTES
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type: history note
value: Pencil note ‘From the Cathedral of Como’ on the verso of the original mount, possibly in the hand of William Young Ottley; his sale, Sotheby’s, 12 May 1838, lot 162


LICENSING
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text license status:	CC0
image license status:	CC-BY-NC-SA

OWNERSHIP
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instutition: The Fitzwilliam Museum
department: Manuscripts and Printed Books
collection:	Marlay, Charles Brinsley

STABLE URL
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url:	https://data.fitzmuseum.cam.ac.uk/id/object/176554

PEOPLE
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Marlay, Charles Brinsley
Ottley, William Young
Cathedral of Como




TECHNIQUES
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penwork
TECHNIQUES
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illumination

CATEGORIES
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category: illuminated manuscript
category: manuscript

DATING
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creation date:	1450 - 1450
creation date earliest:	1450
creation date latest:	1450
culture:	15th Century, Mid-Late#

CREATORS
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maker: Master of the Yellow Backgrounds


EXHIBITIONS HISTORY
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title:	Splendours of Italian Illumination: Romanesque - Gothic - Renaissance
CITATIONS
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A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two. Vols. 1-2: Italy and the Iberian Peninsula
A descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museum
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