IDENTIFIERS
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id:	176619
accession number:	Marlay cutting It. 65

DATE AUDIT
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created:	Saturday 6 August 2011
updated:	Wednesday 2 September 2020

DESCRIPTIVE DATA
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object type: PHYSICAL DESCRIPTION: Parchment, 200 x 211 mm , reverse side obscured by paper mounts, traces of musical staves ruled in red ink and fragmentary text with ruling in brown ink on recto.

CONTENTS: The initial probably introduced the text Viri Galilei, quid admiramini aspicientes in caelum? (Acts 1: 11), either the introit for the Feast of the Ascension, or the first antiphon at Lauds for the same feast.

DECORATION: Historiated initial formed of complex foliate motifs with masks on a ground of solid gold: [V] Ascension.
title:	cutting (manuscript)

NOTES
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type: history note
value: Possibly from the collection of Pierre-Henri Gélis-Didot (1853-1902); not yet identified in the multi-part lots in his sale, Paris 12-13 April 1897


LICENSING
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text license status:	CC0
image license status:	CC-BY-NC-SA

OWNERSHIP
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instutition: The Fitzwilliam Museum
department: Manuscripts and Printed Books
collection:	Charles Brinsley Marlay

STABLE URL
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url:	https://data.fitzmuseum.cam.ac.uk/id/object/176619

PEOPLE
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Marlay, Charles Brinsley
Didot, Pierre-Henri Gélis




TECHNIQUES
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penwork
TECHNIQUES
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illumination

CATEGORIES
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category: illuminated manuscript
category: manuscript

DATING
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creation date:	1490 - 1490
creation date earliest:	1490
creation date latest:	1490
culture:	15th Century, Late

CREATORS
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maker: Libri, Girolamo dai


EXHIBITIONS HISTORY
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title:	Miniatura Veronese del Rinascimento
title:	Splendours of Italian Illumination: Romanesque - Gothic - Renaissance
title:	Early Italian Paintings from the Museum's Collection including Drawings and Illuminated Manuscripts
CITATIONS
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Die italienischen Miniaturen des 13.-16. Jahrhunderts
Miniatura Veronese del Rinascimento
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two. Vols. 1-2: Italy and the Iberian Peninsula
A descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museum
---
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