15929702580001312637261000Standard Recordobject-27944170292704533717029083530001702926928060fitz-onlineadlib-object-27944https://data.fitzmuseum.cam.ac.uk/id/object/27944a884a19a-9962-359f-8982-7a749f980c0c12personreferenceagent-154020adlib-agent-1540204d9e8cd3-9232-38bc-8021-f9f511e2d4e2St Markreferenceterm-91170adlib-term-91170d49ca0b4-ccae-3039-afe0-882c186cff25glassreferenceterm-107444adlib-term-107444571df7cf-e062-3968-ae5e-bec9d5a82f92C. B. Marlayred, white, blue and greenreferenceterm-107563adlib-term-10756338dcd825-1de1-3222-82c6-15a95729b5ffenamelsreferenceterm-108887adlib-term-108887c6460a1d-46b9-3e12-a849-ff065415a578gold leafDecorationgold leafreferenceterm-28681adlib-term-28681c1f659e2-1209-31cf-8ff4-154e11452559gildingin blue, green, red and white enamelsreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingBowlclear glass, partly mould-blown, decorated with gold leaf and blue, green, red, and white enamelspartlyreferenceterm-120090adlib-term-1200905e9b787e-bdb6-3540-842c-01f4f356d761mould-blowingreferenceterm-2033adlib-term-2033ccd3d687-e42e-3ba5-b806-c46d31be3843symbolismApplied ArtsClear glass, partly mould-blown, painted in blue, green, red, and white enamels, and gilded. Circular with mould-blown anti-clockewise wrythen gadroons on the underside, a folded lip, and low foot with folded rim. In the centre is a circular depression enamelled and gilded with the lion of St. Mark, surrounded by circles of red, green and white dots. A band of gold decoration with red, white and dark blue spots is painted on the underside. The ribs are gilded at the tip.143referenceexhibition-1353adlib-exhibition-1353da8c6eb0-0863-313b-bfab-bef2a5890bfeGlass at the Fitzwilliam Museumreferenceexhibition-2080adlib-exhibition-208021fb61db-870d-399e-a0fb-035ef1c66d00'I turned it into a palace', Sir Sydney Cockerell and The Fitzwilliam MuseumMAR.C.116-19121accession numberMAR.C.116-191227944priref27944urihttps://data.fitzmuseum.cam.ac.uk/id/object/27944https://data.fitzmuseum.cam.ac.uk/id/object/27944referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumC.B. Marlay Bequestreferenceagent-149674adlib-agent-149674de1bf9dd-2091-39ca-85f6-41e736f6e32bMarlay, Charles Brinsley191219121912-06-18bequeathedC.B. Marlay died on 18 June 191215001500CE1500circa1500151511515CE15151515probablymakerreferenceagent-206675adlib-agent-2066751525532c-36fd-3ef4-8e0a-ebc04b0b365cUnidentified Venetian glasshouseThe Venetian glasshouses were situated on the Island of Murano as a precaution against them causing a fire in the city. A lion, the symbol of the evangelist, St Mark, had been adopted as the symbol of Venice after the relics of the saint had been taken there from Alexandria in 828 AD.referenceterm-106256adlib-term-1062561bd8ad44-09c2-3c55-825a-635e463bb56b16th Century, Early#referenceterm-130562adlib-term-13056220db9049-8551-3f90-b5be-7b766415690cliteralItalyItalycountryliteralVenetoVenetoregionMurano, Venicepresumedreferenceterm-37302adlib-term-37302a36b8cf8-2312-310e-a008-20631bbe73f4soda lime glassHeightcmH. cm; d. 28.8 cmreferencemedia-15080adlib-media-15080271478ec-769d-362c-9de6-f870fa49da91jpegaa/aa19/Mar_C_116_1912.jpg1heightpixels760widthpixels74817029267407711imagejpegaa/aa19/mid_Mar_C_116_1912.jpg1heightpixels508widthpixels50017029267407711imagejpegaa/aa19/Mar_C_116_1912.jpg1heightpixels760widthpixels74817029267407711imagejpegaa/aa19/preview_Mar_C_116_1912.jpg1heightpixels254widthpixels25017029267407711image0media
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imagereferencemedia-915317726portfolio-media-915317726418b693e-d139-3ccf-823f-a066ab3ee4d0jpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/628/111/large_MAR_C_116_1912_200808_dc1.jpg1heightpixels1196widthpixels102415500493060001imagejpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/628/111/mid_MAR_C_116_1912_200808_dc1.jpg1heightpixels584widthpixels50015500493060001imagejpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/628/111/MAR_C_116_1912_200808_dc1.jpg1heightpixels6800widthpixels582215500493060001imagejpegportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/628/111/preview_MAR_C_116_1912_200808_dc1.jpg1heightpixels292widthpixels25015500493060001imagepyramid tiffportfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/628/111/MAR_C_116_1912_200808_dc1.ptif1heightpixels6800widthpixels582215500493060001image2media
imagereferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishtazzahistory noteunknown before Charles Brinsley Marlay (1831-1912)referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. Illustrated, p. 67, no. 143, ill. p. 66pp. 66-7referencepublication-1924adlib-publication-19243252f5ca-97b5-359d-8e95-0108bc09ab88Glass at the Fitzwilliam MuseumPubl. Illustrated in colour, p. 41, no. 39p. 41referencepublication-382adlib-publication-382ee5148de-e3eb-3d38-88db-9a331edf70b6Treasures of the Fitzwilliam MuseumCf. Another example decorated with the Lion of St Mark, Liège Inv. No. B/455, p. 125, no. 257. See also Philippe, 1982, below.p. 125referencepublication-2112adlib-publication-211256cf9658-93b8-3ae9-8df7-a71b49559b47Trois Millennires d'art VerrierCf. Another example decorated with the Lion of St Mark, p. 30, no. 6, B.M. Slade Collection S.375p. 30referencepublication-2106adlib-publication-21061e382bb2-fbb2-3953-aa99-794a85f1b9d0The Golden Age of Venetian GlassCf. Bowls of the same form with different colours and similar borders, pp. 118, 119, 121pp. 118-9referencepublication-2113adlib-publication-211378586b4f-bb40-35e5-ad50-928896a0db70Mille Anni di Arte del Vetro a VeneziaCf. An example decorated with the Lion of St Mark, pp. 75, 84, colour ill. See also Liège, 1958, above.pp. 75, 84referencepublication-2114adlib-publication-2114f9125f61-9e25-3056-b87f-0810ffe4f230Glass History and Artreferencepublication-2115adlib-publication-211564809654-5c55-3e16-8532-00e287e6e2cdEuropean Glass from 1500-1800, The Ernesto Wolf CollectionPubl. p. 68 fig, 2.10 in colour68referencepublication-6368adlib-publication-63689c344200-cd9c-3b07-ac5e-06c969ee810cI Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam MuseumRef. pp. 15-102, Part I, Verre Émaillé vénitien (1450-1550) ateliers, production, clientéle.pp. 15-102referencepublication-8888adlib-publication-888881f9bf21-3935-3ab2-af86-1ba89bfc5bc7Émailler le verre à la Renaissance, sur les traces des artistes verriers entre Venise et Francereferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissanceconceptreferenceterm-2158adlib-term-2158a68269ff-8dd4-3318-96fa-0c754296f4dfrepresentationanimalreferenceterm-106353adlib-term-10635394dbf2d1-80ce-352d-b3db-fd957b2fd428lionliteralrepresentationrepresentationliterallionlionreferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishdishTazza, with the lion of St Markobject
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