15929994380001312637261000Standard Recordobject-28233170560454862117055862370001705604545177fitz-onlineadlib-object-28233https://data.fitzmuseum.cam.ac.uk/id/object/28233063eb9b5-c523-3b1c-a766-72394713953710personreferenceagent-154123adlib-agent-1541232fef3fa1-e550-35f4-b4de-2ced0eb2272aVirgin Marypersonreferenceagent-149696adlib-agent-149696c1d7b5bf-63d4-3ba4-a080-9810b80bf16cChristpersonreferenceagent-153161adlib-agent-153161f08f36d3-a88b-30fb-b147-833e7d644896Saintsreferenceterm-91170adlib-term-91170d49ca0b4-ccae-3039-afe0-882c186cff25glassgoldreferenceterm-32657adlib-term-3265748738423-5a06-33af-bb0f-e0e48e864331paintreferenceterm-106692adlib-term-106692ed7baa11-5901-3307-81b6-77370e40ebb4woodreferenceterm-31515adlib-term-315155718b138-e9cb-31c7-a778-b094ab8cab24gesso93Framered, green, bluereferenceterm-32657adlib-term-3265748738423-5a06-33af-bb0f-e0e48e864331paintreferenceterm-108887adlib-term-108887c6460a1d-46b9-3e12-a849-ff065415a578gold leafreferenceterm-113543adlib-term-11354325d046de-179c-3722-b18c-d0d40707d8eesilver leafDecorationThe term églomisé derives from the name of an eighteenth century French picture restorer, Glomy, who revived the technique of applying gilding to glass for picture frames. See Documentation.referenceterm-29036adlib-term-2903605e481c0-202c-39c4-9340-c50982efb472verre églomiséreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingreferenceterm-26908adlib-term-2690893db4eba-7855-3a51-a5b6-3c0d8390f722incisingreferenceterm-28681adlib-term-28681c1f659e2-1209-31cf-8ff4-154e11452559gildingreferenceterm-28744adlib-term-287441812a6af-314b-3d25-b58a-b5db8d496b1dsilveringreferenceterm-91170adlib-term-91170d49ca0b4-ccae-3039-afe0-882c186cff25glassPanelround edge of panelreferenceterm-101739adlib-term-10173945be7b94-83db-33d5-abf1-4b5606fb9942clippingHeightcm25.1Widthcm10.5Central Panelreferenceterm-23385adlib-term-233854c17df77-7d4e-32bf-8ec9-921b71d218a2religionApplied ArtsPanel: Virgin and Child enthroned with four saints, with below, the Annunciation, painted, gilded, and silvered under glass, in an associated gessoed and gilt wood frameGlass panel of tall and slender outline, with a Gothic arch at the top clipped around the edges. It is gilded, incised and painted in red, blue and green, probably using an oil medium, along the foliate border which frames the two scenes. The Enthroned Virgin and Child are flanked by four figures, two at either side. The Virgin’s throne is rather monumental, surmounted by a gable and two pinnacles. The Child is represented holding a small orb. A smaller Annunciation is decorated in a pseudo-predella at the bottom of the panel. The borders of the panel are ornate with swirls of foliage, alternatively painted in red and green. The wooden frame (A) has gesso additions and is painted and gilded. The frame is carved along the two long sides with foliate motifs. On the top, the frame is sculpted with the figures of God the Father directly above the Man of Sorrow, and flanked by the Annunciate Angel at the left and the Virgin at the right. At the bottom, the frame ends with a reverse triangle terminating with a decorated knob.M.56 & A-19041accession numberM.56 & A-190428233priref28233urihttps://data.fitzmuseum.cam.ac.uk/id/object/28233https://data.fitzmuseum.cam.ac.uk/id/object/28233referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumBequeathed by F. McCleanreferenceagent-172414adlib-agent-17241473d94f64-8c0d-30c1-9764-25b005f3ce1dMcClean, Frank190419041904bequeathedEntry date: 190413451345CE1345circa13451350The frame was made in the fifteenth century and associated at an unknown date. What is almost certainly the original frame, dated 1347, is in the Museum of Fine Art, Cleveland, Ohio. (See Documentation)11350CE1350circa1350productionreferenceagent-149652adlib-agent-1496520d4f90dc-b166-3d4b-b0db-25f4118b6e98UnknownG.M. Richter on 12th July, 1931 said, 'Apparently a painter very near to Gentile da Fabriano.'Prof. Enzo Carli of Siena Gallery on May, 1949, said it was late 14th century.referenceterm-106415adlib-term-106415e03fa5bd-bf23-3a93-884f-03606782859714th Century, Mid#referenceterm-11364adlib-term-113647245b126-74ce-3569-8149-2aeb1daafa35literalItalyItalycountryliteralTuscanyTuscanyregionprobably SienaSienareferencemedia-15126adlib-media-1512606651557-0ca4-392e-bce9-21a0885b4455jpegaa/aa20/M_56_20_26A_1904_281_29.jpg1heightpixels760widthpixels40016162393453801imagejpegaa/aa20/M_56_20_26A_1904_281_29.jpg1heightpixels760widthpixels40016162393453801imagejpegaa/aa20/M_56_20_26A_1904_281_29.jpg1heightpixels760widthpixels40016162393453801imagejpegaa/aa20/preview_M_56_20_26A_1904_281_29.jpg1heightpixels475widthpixels25016162393453801image0media
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imagereferenceterm-109999adlib-term-109999d2fce00d-07d8-3c07-b9fb-3660d2b0fce4painting under glassreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreferencepublication-2149adlib-publication-21490e283af4-915e-33a3-b029-9273f13097e7Fitzwilliam Museum, McClean Bequest, Catalogue of the Medieval Ivories, Enamels, Jewellery, Gems, and Miscellaneous Objects bequeathed to the Museum by Frank McClean, M.A., F.R.S.referencepublication-5307adlib-publication-530789d4ec5f-efe0-366e-b10e-05aa0180551fThe Gilded Glass Madonna in the Fitzwilliamreferencepublication-200001957adlib-publication-200001957734c4f00-c03a-3bb5-acee-98569044db0eVetri Italiani a oro con graffitireferencepublication-5306adlib-publication-530625e85dd7-b177-3f01-bdf6-0540545c2c95Il TrecentoPubl. Illustrated and discussed, pp. 148-153, fig. 1 and fig. 19. The original frame was probably that now in the Cleveland Museum, Ohio, signed 'LUCAS ME FECIT' and dated 1347, a Sienese reliquary. The present frame is later, possibly 15th century. The iconographic sources of the subjects are discussed.pp. 148-153referencepublication-200000745adlib-publication-200000745dd7d5ebf-fe75-3414-8109-dc3371d684bbA Sienese Verre Eglomisé and its SettingPubl. Illustrated, pp. 3-15, on p. 7 and discussed pp. 7-8, in Studio International, March 1986pp. 3-15referencepublication-200000227adlib-publication-2000002277fde4963-2cde-365b-a75b-1085bb14f4e8Limitations of The Art MuseumRef. pp. 55-68pp. 55-68referencepublication-200000746adlib-publication-2000007468fb1dd3b-b358-31d5-b6e7-4dbe0b5b68f2The Localization of Medieval Verre Eglomiséreferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissanceeventreferenceterm-108433adlib-term-108433cf514809-1ff5-3b18-a8cb-3cdf5002b3b6AnnunciationliteralAnnunciationAnnunciationreferenceterm-109999adlib-term-109999d2fce00d-07d8-3c07-b9fb-3660d2b0fce4painting under glasspainting under glassVirgin and Child with Saints and the Annunciationobject
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