15929994380001312637261000Standard Recordobject-28673170292700102817028932960001702926919749fitz-onlineadlib-object-28673https://data.fitzmuseum.cam.ac.uk/id/object/28673eb7e74a6-af9a-3679-bfaf-76bd6fd478a110referenceterm-37642adlib-term-376428f36efe3-4fe1-3da2-9944-000db5687ad7porcelainDiametercm6LidDecorationbluish-green celadonreferenceterm-27616adlib-term-2761661e6a95d-84c8-3893-b6c8-213392262987glazing (coating)Applied ArtsLimoges porcelain, thrown, and covered with very pale bluish-green, translucent, celadon glaze. Cylindrical slightly squashed on one side, with horizontal throwing rings, and two spaced horizontal `seams'. The jar has a short shoulder, with an incurved placement for the lid, which is circular with straight sides, and a very slightly convex top. The jar is decorated with a large, a medium, and a small applied darn motif, the medium-sized more or less below the large, and the small, lower and further to the left. The glaze is applied to the interior and to the exterior, except for the base, the placement for the lid, and the lower edge of the lid. The glaze is irregularly crazed inside and outside (presumably deliberately).9referenceexhibition-1415adlib-exhibition-1415c62ee8f1-f7aa-3914-b0df-eb8d6af75695Contemporary PotsC.17 & A-19981accession numberC.17 & A-199828673priref28673urihttps://data.fitzmuseum.cam.ac.uk/id/object/28673https://data.fitzmuseum.cam.ac.uk/id/object/28673referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGift of Nicholas and Judith Goodison through the National Art Collections Fundreferenceagent-156032adlib-agent-1560323aded83c-6f5c-39b8-a50c-07f712e01b2cGoodison, Nicholas and Judith199819981998-10-12given199819981998potterreferenceagent-156302adlib-agent-156302aaba19d6-2418-3d0b-a7b7-b24c36ea0c0dWaal, Edmund deText from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Edmund de Waal has become one of the most high-profile contemporary potters working in the UK today. He studied English at the University of Cambridge, and Ceramics with the potter Geoffrey Whiting (1919–88) and also in Japan. His scholarship of both the history and practice of ceramics has been recognized in a succession of museum shows, both nationally and internationally, as both curator and artist, including at the Geffrye Museum (2002–03); The Fitzwilliam Museum (2013–14) and the Kunsthistorisches Museum in Vienna (2014). His current work is characterized by large-scale installations of porcelain vessels, inspired by an interest in the relationships between ceramics, architecture and music. He is also an acclaimed author. The Hare with Amber Eyes, published in 2011, has been translated into 30 languages and has won significant literary prizes. He was awarded an OBE for services to art in 2011. In 2014 Emma Crichton- Miller wrote a monograph on his work, which was published by Phaidon.referenceterm-109890adlib-term-109890825251c2-9904-34be-b6ab-c855347f224720th Century, Late#referenceterm-107700adlib-term-1077008f5360fb-b262-3ae9-8942-b81cc0e3e848Elizabeth IIreferenceterm-106216adlib-term-106216825b8379-ec94-388e-9a59-624e40c090d0literalEnglandEnglandcountryLondonbluish-greenreferenceterm-108634adlib-term-1086349a6365be-3652-34de-a202-60f677fc9cafceladon glazereferenceterm-37642adlib-term-376428f36efe3-4fe1-3da2-9944-000db5687ad7porcelainDiametercm8Heightcm20referencemedia-196785adlib-media-1967853ddd90bd-0011-3a03-b88d-d329d1d5c5a8jpegaa/aa33/c_17_1998_201301_mfj22_dc2.jpg1heightpixels1025widthpixels76917029263241271imagejpegaa/aa33/mid_c_17_1998_201301_mfj22_dc2.jpg1heightpixels666widthpixels50017029263241271imagejpegaa/aa33/c_17_1998_201301_mfj22_dc2.jpg1heightpixels1025widthpixels76917029263241271imagejpegaa/aa33/preview_c_17_1998_201301_mfj22_dc2.jpg1heightpixels333widthpixels25017029263241271image0media
imagereferenceterm-89389adlib-term-89389c00f24e8-508b-3432-9eec-6ddac5df8732jarobject namereferenceterm-107478adlib-term-10747881002e74-5083-37b8-a429-4a303fc40695coverobject namereferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicscategoryhistory notePurchased by the donors from the Contemporary Applied Arts, 2 Percy Street, London, W1P 9FA1referenceobject-136927adlib-object-136927f7c7d28d-3ea7-3310-87fd-ca577da6cf251reference1term-89389adlib-term-89389c00f24e8-508b-3432-9eec-6ddac5df8732jarjar1referenceobject-197760adlib-object-197760753c49b7-3f03-39b0-a2c6-044c33369c781reference1term-133766adlib-term-133766ef01573b-94a9-3946-8a01-37afcfe7c491ceramic assemblageceramic assemblage1referenceobject-214016adlib-object-214016ab9f5efe-04ca-3bf2-8742-66bd2cbe66411reference1term-127506adlib-term-127506cc280b8e-503c-300a-839a-94455a5953a0Jar and coverJar and coverreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. p. 154, illustrated p. 155155referencepublication-2056adlib-publication-2056df0e9f6f-d38e-336d-bb52-ede763d25908National Art Collections Fund Review 1998Publ. pp. 52-3, no. 14, illustration p. 53. Object description, and maker's biography1452-3referencepublication-8258adlib-publication-825871d79ea2-2385-305e-9044-fbb0cde9ffe7Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museumreferencepublication-2307adlib-publication-2307bf6f5c9c-fe6b-3f1f-8c5c-ae321dc31989Edmund de WaalRef.26-9referencepublication-200002248adlib-publication-200002248fc97d7ef-d19c-3504-b214-b7e67041199aPourquoi la porcelainereferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicsreferenceterm-89389adlib-term-89389c00f24e8-508b-3432-9eec-6ddac5df8732jarjarLimoges porcelain, thrown, and covered with very pale bluish-green, translucent, celadon glazereferenceterm-120082adlib-term-120082ea83ed85-6b07-3e7e-83fc-440cfda22f7ethrowingLidded Jarobject
OBJECT