15929994650001312637261000Standard Recordobject-47190170784746977217029084690001707847461664fitz-onlineadlib-object-47190https://data.fitzmuseum.cam.ac.uk/id/object/47190d506f2a7-163e-3752-b1af-563eaa55213d12referenceagent-203722adlib-agent-20372288f97a90-4bf3-3344-9e29-49a673569e0cGoldschmidt-Rothschild, Maxreferenceagent-203723adlib-agent-203723e475982c-6ef1-3033-9d37-98e999887cfcGlogowsky, Kurtpersonreferenceagent-149882adlib-agent-1498827e8a7980-d55c-3efa-af00-898345039315girlreferenceterm-108348adlib-term-108348667e7a19-db33-3d85-bd9b-c2dafd8e02fftin-glazed earthenwarereferenceterm-42865adlib-term-4286592be1d50-bb1c-3472-950f-b140ee6cdde9maiolicareferenceterm-110727adlib-term-110727ebeafa07-8aa4-35ee-93de-94d5a21e0274lustrewarecobalt-bluereferenceterm-110730adlib-term-110730dae0f074-4d74-3f73-9137-7e8bbb36a2cehigh-temperature coloursilver-yellow lustrereferenceterm-113115adlib-term-1131153fcebc71-6e21-3984-9065-72a5e40903e0reduced pigment lustreDecorationin dark blue and silver-yellow lustrereferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingreferenceterm-107733adlib-term-10773300160189-e3ce-3796-a88b-5aa8d6c808c4lead-glazeBackreferenceterm-120062adlib-term-120062d05176fb-17b8-3888-bba1-6c5e6c77d206lead-glazingreferenceterm-39575adlib-term-39575cdf6707a-1eeb-3622-a26b-6e54f1f8d4abtin-glazeFrontreferenceterm-120059adlib-term-120059dfa315b5-819d-37ab-ab22-bddfdbb3cbe7tin-glazingDiametercm39.5RimApplied ArtsTin-glazed earthenware painted in blue and lustred with a half-length figure of a young woman in profile to right facing a coiled scrole inscribed 'LA VITA.EL.FINE.ELDI.LO DA.LASE RA.X.' (Life by its end, day by the evening, is praised), surrounded by a border of leaves and stylized flowers.Earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. Painted in thinly applied dark blue and with pale silver-yellow lustre. Shape 61. Circular, with slightly sloping rim, and wide deep well, standing on a footring pierced by three incorrectly placed suspension holes. In the well, a young woman, half-length with her head in profile to right, faces a coiling scroll, inscribed 'LA VITA.EL.FINE.ELDI.LO DA.LASE RA.X.' (Life by its end, day by the evening, is praised). There are formal flowers in the background, and bound laurel round the edge of the well. On the rim, slanting serrated leaves alternate with stylized flowers. A band of yellow lustre encircles the outer edge.No. 44referenceexhibition-1609adlib-exhibition-16096d201037-48f1-3a69-9e4e-72551b7f32d0Treasures from the Fitzwilliamnonereferenceexhibition-1605adlib-exhibition-160504d3c358-0bef-3d8f-8df5-14f16987ac1bItalian Maiolica in the Fitzwilliam Museum23referenceexhibition-1846adlib-exhibition-18463b4a4d22-dc9d-380f-9957-042843c7c0d0La ceramic umbra al tempo di Peruginoreferenceexhibition-2081adlib-exhibition-20818545fb16-357d-35ae-b2fb-2ede33d1ff49I Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam MuseumC.24-19321accession numberC.24-193247190priref47190193219321932Glaisher additions numberGl.Add.42-1932urihttps://data.fitzmuseum.cam.ac.uk/id/object/47190https://data.fitzmuseum.cam.ac.uk/id/object/47190on underside of wellincised through the glazea figure 8inscriptionon frontpainted in blueLA VITA.EL.FINE.ELDI.LO DA.LASE RA.X.inscriptionreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPurchased with the Glaisher Fundreferenceagent-150858adlib-agent-150858d36d1847-4d6a-33eb-974b-f4b061db49f9Sotheby's193219321932-06-08boughtThis dish was included as no. 2191 in Rackham's Catalogue of the Glaisher Collection (1935) because it was bought with the Glaisher Fund. This has sometimes resulted in it being referred to as C.2191-1932 instead of C.24-1932. It was also given a Glaisher Additions no., Gl. Add 42-1932.15001500CE1500circa1500153011530CE1530circa1530makerreferenceagent-192453adlib-agent-192453df78b698-01c1-3c17-b103-3abd32583456Unidentified Deruta potteryThe girl is painted in the style of Pietro Perugino (active 1472-1523) and closely resembles the Eritrean Sibyl in his fresco of 'God the Father announcing the Salvation' in the Sala dell'Udienza in the Collegio del Cambio, Perugia, painted between 1496 and 1500. Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia.referenceterm-106256adlib-term-1062561bd8ad44-09c2-3c55-825a-635e463bb56b16th Century, Early#referenceterm-110784adlib-term-110784306cbe64-9c29-347d-bae9-6fa7b2d98848literalItalyItalycountryliteralUmbriaUmbriaregionDerutareferenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwareHeightcm7.5referencemedia-200394adlib-media-200394896dca9c-db83-3bf8-b88d-9ffcc672afefjpegaa/aa35/C_24_1932_1_201505_jas244_dc2.jpg1heightpixels945widthpixels102417029267224931imagejpegaa/aa35/mid_C_24_1932_1_201505_jas244_dc2.jpg1heightpixels461widthpixels50017029267224931imagejpegaa/aa35/C_24_1932_1_201505_jas244_dc2.jpg1heightpixels945widthpixels102417029267224931imagejpegaa/aa35/preview_C_24_1932_1_201505_jas244_dc2.jpg1heightpixels231widthpixels25017029267224931image0media
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imagereferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishpiatto da pompahistory noteMax Goldschmidt-Rothschild; Kurt Glogowski, Berlin; sold Sotheby's, 8 June 1932, Catalogue of the well-known collection of important Italian majolica, also bronzes and statuary, velvets, textiles and embroideries, fine Oriental rugs, & c. the property of Herr Kurt Glogowski of Berlin, lot 30.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. Vol. I, p. 285, no. 2191; vol. II, pl. 167. This dish was not collected by Dr J.W.L. Glaisher but was included in the Catalogue of the collection because it was purchased with money which he bequeathed.285referencepublication-1031adlib-publication-1031a5cc6cb3-2b6f-390a-af51-7e9d123e55edCatalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum CambridgePubl. Mentioned p. 53, illustrated pl. 15.53referencepublication-3038adlib-publication-30382e589e20-ae79-381a-b203-3ac54f40b6a7Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridgereferencepublication-3031adlib-publication-30311e6af792-78aa-3c61-9b3d-4a31abe184a3The Concise Encyclopedia of Continental Pottery and Porcelainreferencepublication-3030adlib-publication-3030b8528092-cf8f-373a-9fb3-548d79cede63Italian MaiolicaPubl. p. 58, colour pl. 45.p. 58referencepublication-3051adlib-publication-30519c094253-840a-33c8-854b-cbf4b0ed9f4eCeramic Art of the World, XXII, European CeramicsPubl. No. 4442referencepublication-1119adlib-publication-11198b3701d3-a6b9-3cdf-8f20-d50dda99c46cTreasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''Publ. pp. 166-8, no. 237, and colour pl. 16166-8referencepublication-3010adlib-publication-3010e3e61863-a797-3051-8d0a-20288306ca36Italian Maiolica and Incised Slipware in the Fitzwilliam Museum CambridgePubl. pp. 36-7, no. 1336-7referencepublication-3378adlib-publication-3378e4a41d6d-c98c-3959-bcb4-041c12eeb88cFitzwilliam Museum Handbooks, Italian MaiolicaPubl. Illustrated on p. 152, fig. 9 and see p. 145. The authors note 'This is the only case in which the source of the legend on belle has been identified.' The book was edited by Mann, Nicholas and Syson, Luke.145, 152referencepublication-200000989adlib-publication-20000098951da1066-fdce-3067-a0d4-7a0aaa2f135eWhen is a portrait not a portrait,? Belle Donne on Maiolica and the Renaissance Praise of Local BeautiesRef. For the inscription on the scroll26referencepublication-3039adlib-publication-3039ebecdd55-fb60-378f-af2b-fb84d4f45892Le RimeRef. For a translation of the inscription on the scroll.60referencepublication-3040adlib-publication-3040a1f32e33-9c74-3112-aec9-2939ba1855b9Petrarch's Lyric Poems, The Rime sparse and other LyricsRef. For sources of designs on Deruta maiolica. See especially, p. 30, fig. 11, The Visitation by Pinturicchio in the Borgia apartments of the Vatican.25-57referencepublication-200000990adlib-publication-20000099083e461c6-3315-3ef8-aa39-d54f88469112Fonti iconografiche e stilistiche della decorazione nella maiolica rinascimentalePubl. p. 110, no. 23. Cf. p. 108, no. 21, dish with similar girl facing to left, in the National Gallery of Art, Washington, inv. 1942.9.322; p. 109, no. 22, another with girl facing to left in the Musée de la Renaissance, Ecouen, inv. Cluny, 2430; p. 111, no. 24 another with girl facing to left, without a scroll, in the V. & A., inv. C.2172-1910. . See p. 106, Perugino's Eritrean Sybil in the sala dell'Udienza, Collegio del Cambio, Perugia. Ref. for Deruta maiolica.110referencepublication-4837adlib-publication-48378a5d258d-09cf-35d0-a64a-b1bca54fa905La ceramica umbra al tempo di PeruginoPubl. p. 32, no. 5, and cf. p. 33, a copy by contemporary Deruta potter, Fernando Calzolari.32referencepublication-6388adlib-publication-63881f1298ea-c28b-3905-ad2b-fa59db7d742cFati di Ceramica nelle Marche dal Trecento al NovecentoCf. Vol. I, pp. 158, nos. 475-8, vol. II, pl.75, nos. 475-8. On all the dishes, the girl faces to the left, and, with the exception of no. 477, has an inscription on a scroll in front of her.158referencepublication-1571adlib-publication-15714e0f6f47-bf3a-3285-8417-f9bff14edde2Victoria and Albert Museum, Catalogue of Italian MaiolicaCf. p. 83, no. 59, a dish with the same inscription ending with ISCHU [RA], accompanying a different young woman. Inv. no. 1855. The Fitzwilliam's dish is mentioned in the text.83referencepublication-400002304adlib-publication-400002304d0b2b57b-546a-36c7-8b81-e61f2ad9859bLe maioliche del Museo Nazionale di RavennaCf. pp. 65-6, no. 7, a dish with the same inscription ending with ISCHU[RA], accompanying a different young woman. inv. no. 1855.65-6referencepublication-400002305adlib-publication-4000023056d47fd97-3aed-3278-9bb2-8cb912488eedCeramiche dalle Collezioni del Museo Nazionale di RavennaCf. p. 162, no. 301, a dish decorated with a warrior surrounded by a border similar to the Fitzwilliam's dish162referencepublication-400002306adlib-publication-400002306fd430150-18ab-30e6-9438-eb2a24c2f1c0Kataloge des Kunstgewerbemuseums der Stadt Köln, II, MajolikaCf. pp. 242-3, no. 83, a dish painted with a similar girl facing to left, and the same quotation without the final X242-3referencepublication-8274adlib-publication-82747be4693f-9344-330a-8733-2ca7558ee846Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of ArtCf. pp. 106-07, no, 40, a dish with the same girl facing to the left; fig. 17 shows the head of a Sibyl from the fresco in the Sala dell'Udienza, Collegio del Cambio, Perugia. Inscription on ribbon OFACIES.OCUVLIS. INSIDIOSA.MEIS (O face that is an ambush for my eyes) from Ovid's Heroides, XV.106-07referencepublication-8571adlib-publication-85711c526257-c1d6-33b1-a279-b3248fce0bccThe Golden Age of Maiolica-Painting. Catalogue of a Private Collectionreferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissancereferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishdishearthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. Painted on the front in thinly applied dark blue and with pale silver-yellow lustrereferenceterm-120082adlib-term-120082ea83ed85-6b07-3e7e-83fc-440cfda22f7ethrowingobject
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