15929965420001312637261000Standard Recordobject-47191170784746810116352353150001707847461664fitz-onlineadlib-object-47191https://data.fitzmuseum.cam.ac.uk/id/object/47191609a0ad4-8744-3e06-b953-120130e2e4dc5referenceagent-94696adlib-agent-94696dad3e87d-c625-37e8-b293-fa0f7d63683dMontferrand, Auguste Ricard dereferenceagent-184889adlib-agent-184889633490b8-8f0e-36f1-a67d-de8f584f2a8dBarker, Alexanderreferenceagent-184888adlib-agent-1848885c80baf3-c161-3f26-9e6b-26676a2a2040Cooke, Francis, Sirreferenceterm-108348adlib-term-108348667e7a19-db33-3d85-bd9b-c2dafd8e02fftin-glazed earthenwarereferenceterm-42865adlib-term-4286592be1d50-bb1c-3472-950f-b140ee6cdde9maiolicareferenceterm-113343adlib-term-113343ee4e412e-379b-3dbc-9687-b4574cab3cb5F. Leverton Harrismetallic oxide coloursreferenceterm-108364adlib-term-108364115b8729-a560-35c1-b654-4b9d2fc5f68bhigh-temperature coloursDecorationreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingDiametercm40.4Rimreferenceterm-109546adlib-term-109546b51de94f-8382-3b95-905a-0ff3f4165fc8Roman historyApplied Artstin-glazed painted in polychrome with Caesar's Horse from a Triumph of Caesar.Buff earthenware, tin-glazed overall; on the reverse the glaze is off-white and has crawled in several places. Painted in dark blue, light blue, green, yellow, orange, and brownish-red. Shape approximately 67 but shallower. Circular with shallow, concave sides, which have warped in firing, standing on a solid base. Caesar's Horse, from a Triumph of Caesar. On the left are two nude musicians, with bells round their ankles, holding aloft, and blowing, double pipes. Behind them is a hound with bells on its collar, and a harness round its belly. Caesar's horse follows, its right foreleg raised; its harness and blanket with lettered border are bedecked with bells, and it has a unicorn's horn attached to its forehead. A youth holding a branch with a globe on its tip is mounted on its back and a monkey sits behind him. In the foreground there is a stony track and grass, and an 'H'. The background is dark blue and the rim yellow. The back is dated in the middle in blue, '1514' over the alchemical sign for tin, within three narrow concentric circles. Beyond the base there are three narrow, one broad and three narrow concentric circles, repeated nearer to the rim. A yellow band encircles the edge.229referenceexhibition-1610adlib-exhibition-1610ce06b5fd-cb8c-31a1-8be4-bebc8b56e19dSpecimens of Hispano-Moresque and Majolica Pottery exhibited in 1887no cataloguereferenceexhibition-1605adlib-exhibition-160504d3c358-0bef-3d8f-8df5-14f16987ac1bItalian Maiolica in the Fitzwilliam MuseumC.86-19271accession numberC.86-192747191priref47191urihttps://data.fitzmuseum.cam.ac.uk/id/object/47191https://data.fitzmuseum.cam.ac.uk/id/object/47191on the backpainted1514 over a 2 with a vertical stroke through the horizontal lineinscriptionrectangular paper label with scarlet edge, printed 26 in scarleton the backprinted in scarlet26labelscrap of paper label printed 22 in blackon the backprinted in black22labelreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumF. Leverton Harris Bequest, 1926referenceagent-151483adlib-agent-15148326fbb332-a159-3961-80ad-ff1bd1a618c2Harris, Frederick Leverton192719271927bequeathedEntry date: 19271514CE1514Dated on reverse; see inscriptiondated1514attributed topainterreferenceagent-159070adlib-agent-159070eaf73665-d237-3472-ba41-3d20d11430efJacopo di Stefano Schiavonepossiblypotteryreferenceagent-159102adlib-agent-159102eb63d021-f963-35f4-aae7-31c18b9036afUnidentifiedProbably made in the workshop in Cafaggiolo founded in 1498 by Piero and Stefano di Filippo di Dimitri Schiavone from Montelupo. The dish has been attributed to Jacopo on the grounds of similarities to a dish decorated with an equestrian Judith with the Head of Holofernes, signed 'Japo in chaffagguolo' which is in the Victoria and Albert Museum. Jacopo di Stefano di Filippo died in 1576, and questions have been raised as to whether he and the painter of the dishes was the same man. It is also possible that the dish was made in Montelupo.The source for this scene was one of a set of twelve large woodcuts forming a Triumph of Caesar by Jacob Argentoratensis (Jacob of Strasbourg) to designs by Benedetto Bordon, published in Venice in 1504. The Triumph follows Appian's account of Scipio's entry into Rome at the end of the Second Punic War but details relating to Caesar were incorporated. His horse, for example, was based on Suetonius' description of it as having 'feet that were almost human; for its hoofs were cloven in such a way as to look like toes'. The maiolica painter followed the woodcut closely, including this feature, but omitted the small nude boy behind the horse. Each section of the Triumph is labelled with a letter from A to L, hence the 'H' below the scene. The next section, labelled 'I', occurs on a dish in the Victoria and Albert Museum, also dated 1514, but in Roman numerals. Prints of scenes from the 'Passion of Christ' by Jacob of Strasbourg were also used as sources of designs by maiolica painters, for example. a large dish decorated with the Flagellation within a border of grotesques in the Hermitage, St Petersburg.referenceterm-106256adlib-term-1062561bd8ad44-09c2-3c55-825a-635e463bb56b16th Century, Early#referenceterm-110780adlib-term-11078017d4199b-8038-380b-b5df-ce198a1dc5dbliteralItalyItalycountryliteralTuscanyTuscanyregionCafaggioloreferenceterm-113219adlib-term-113219166f4ea1-bd03-3f2e-bc7c-ce2145959ec5literalItalyItalycountryliteralTuscanyTuscanyregionMontelupobuffreferenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwarereferenceterm-39575adlib-term-39575cdf6707a-1eeb-3622-a26b-6e54f1f8d4abtin-glazeHeightcm5.2referencemedia-17667adlib-media-1766745bcb9d2-eb25-3571-9bc7-7537bb58abd2jpegaa/aa19/C_86_1927.jpg1heightpixels757widthpixels76016162517564821imagejpegaa/aa19/mid_C_86_1927.jpg1heightpixels498widthpixels50016162517564821imagejpegaa/aa19/C_86_1927.jpg1heightpixels757widthpixels76016162517564821imagejpegaa/aa19/preview_C_86_1927.jpg1heightpixels249widthpixels25016162517564821image0media
imagereferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishobject namereferenceterm-42865adlib-term-4286592be1d50-bb1c-3472-950f-b140ee6cdde9maiolicacategoryhistory noteAuguste Ricard de Montferrande; sold Christie's, 14-16 November 1859, Catalogue of the very extensive and valuable collection of majolica ware, the property of that well-known amateur, Monsieur Auguste Ricard de Montferrand of St Petersburgh . . .; p. 18, lot 283 (£93.9); Alexander Barker; Sir Francis Cook, Bt.;Wyndham F. Cook; Humphrey Wyndham Cook; sold Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., p. 9, lot 21; The Right Hon. F. Leverton Harris.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. No. 567referencepublication-3041adlib-publication-304154df30b0-e844-3a2a-ab69-2b790d6b0d16Aperçu sur l'art céramique italien collection de Mr. A. de Montferrand tiré d'un ouvrage intitulé 'Description de l'habitation d'un Maçon'Publ. p. 33, no. 229, lent by Sir Francis Cook33referencepublication-3222adlib-publication-322246285040-527c-3f90-ae0b-6eaf4d86f6d0Catalogue of Specimens of Hispano-Moresque and Majolica Pottery Exhibited in 1887Publ. No. 266referencepublication-3043adlib-publication-3043a5c54200-d7aa-3b40-8860-dddffa64c6cdCatalogue of Italian Majolica and other Pottery at 8 Cadogan SquarePubl. Fig. I15referencepublication-200000991adlib-publication-2000009918abfbba2-051f-3c8e-8476-30efa10336a6Italian maiolica in the collection of the Right Hon. F. Leverton Harris - IIIPubl. Mentioned on p. 4, and illustrated in pl. VIAp. 4referencepublication-1569adlib-publication-15694825b83f-3a92-3c6d-b58b-2686ea0509e0The Leverton Harris CollectionPubl. No. 1039315referencepublication-3044adlib-publication-304479758593-6b11-35fb-b361-384d93822be9A Commemorative Catalogue of the Exhibition of Italian Art held in the Galleries of the Royal Academy, Burlington House, London, January-March, l930Publ. Cited p. 42, no. 56, and illustrated figs. 52 and 248Rp. 42referencepublication-3045adlib-publication-304505085ba5-2e8e-35b6-9d0a-6ae7122cd0adCorpus della maiolica italiana, I, Le maioliche datate al l530Publ. See text p. 17, illustrated pl. 4817referencepublication-3030adlib-publication-3030b8528092-cf8f-373a-9fb3-548d79cede63Italian MaiolicaPubl. p. 291, pl. 89B291referencepublication-3031adlib-publication-30311e6af792-78aa-3c61-9b3d-4a31abe184a3The Concise Encyclopedia of Continental Pottery and PorcelainPubl. Illustrated, p. 70 C70referencepublication-3047adlib-publication-30479050aba6-9b8c-3277-8b3e-b218b9ee26eaMaioliche italiane del RinascimentoPubl. p. 290, illustrated290referencepublication-3048adlib-publication-3048a64f6c42-2b36-3d2d-8f70-d45b58ec8668The Penguin Dictionary of the Decorative ArtsPubl.42-51referencepublication-200000992adlib-publication-2000009922f02bf30-6108-3621-97cc-4a4a9ad8dabdJacobus Argentoratensis. Etude préliminairePubl. Illustrated pl. 119115referencepublication-3049adlib-publication-30496abb5df5-caa0-3975-b0a9-6e053b2d01e1Fayencen Europasreferencepublication-3050adlib-publication-30503615cab9-e204-3c7a-82af-0107ffd051cdLa maiolica di CafaggioloPubl. Illustrated pl. 4760referencepublication-3051adlib-publication-30519c094253-840a-33c8-854b-cbf4b0ed9f4eCeramic Art of the World, XXII, European CeramicsPubl. Illustrated pl. 751referencepublication-200000993adlib-publication-2000009933f4f778b-43c0-32f4-b9ae-5011331b2107Cafaggiolo (1498-1540)Publ. Illustrated p. 12, fig. 18, and see p. 1312referencepublication-200000994adlib-publication-2000009941f2d1bde-919e-3c2c-91ce-3e2a14f55584The Triumph of Caesar by Benedetto Bordon and Jacobus Argentoratensis. Its iconography and influencePubl. pp. 129-31, no. 188. Colour Plate 10129-31referencepublication-3010adlib-publication-3010e3e61863-a797-3051-8d0a-20288306ca36Italian Maiolica and Incised Slipware in the Fitzwilliam Museum CambridgePubl. Illustrated fig. 315referencepublication-200000986adlib-publication-200000986d741d506-4041-3c33-993e-041dbf2a711dCeramiche italiane a Cambridge/Italian Pottery in CambridgePubl. Illustrated fig. 473referencepublication-200000979adlib-publication-20000097991511d08-b85d-306a-9662-81a0f76fa57bArt on the Tablereferencepublication-200000995adlib-publication-20000099573790b96-6b02-302e-96fe-35921c9a751fItalian style is dished upreferencepublication-200002223adlib-publication-200002223986b1a50-92a0-34d4-833a-c8e354865eefItalian Maiolica in the Fitzwilliam MuseumPubl. Illustrated p. 1717referencepublication-200000985adlib-publication-200000985ffddfa11-9999-3fac-afa7-83e016eaf9d9Le maioliche italiane del Fitzwilliam in mostraPubl. pp. 44-5, no. 1744-5referencepublication-3378adlib-publication-3378e4a41d6d-c98c-3959-bcb4-041c12eeb88cFitzwilliam Museum Handbooks, Italian MaiolicaPubl. Illustrated297referencepublication-3052adlib-publication-30521523c1e3-4d52-375d-ace9-394c9df26c94Materials and Techniques in the Decorative Arts an Illustrated DictionaryPubl. pp. 60-1, no. 13 with an reproduction of the woodcut source. Cf. pp. 62-3, no. 14, the next dish in the series with Roman initial I, in the Victoria & Albert Museum. The author envisages these dishes as having been made in Montelupo. Cf. pp. 50-1, a dish in the Hermitage, St Petersburg, decorated with the Flagellation of Christ after a print by Jacobus Argentoratensis (Jacob of Strasbourg).60-1referencepublication-8848adlib-publication-8848f98aa5bd-aba9-3b47-aaeb-3d71c381bbe8Il pittore della processione papale. Un ceramista toscano del Rinascimentoreferencepublication-1571adlib-publication-15714e0f6f47-bf3a-3285-8417-f9bff14edde2Victoria and Albert Museum, Catalogue of Italian Maiolicareferencepublication-7526adlib-publication-7526ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4Italian Renaissance Maiolicareferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissancereferenceterm-110733adlib-term-1107332dad8398-160b-33aa-adef-b8b0328c9218St Petersburgobject namereferenceterm-107538adlib-term-107538d814a0d2-87f9-379f-a60c-14d93c8f77bcdouble pipesanimalreferenceterm-78765adlib-term-7876546e462e7-1543-3aaa-90c1-2562102b738fhorse (animal)animalreferenceterm-92145adlib-term-92145e3b08aac-6ac6-32d1-bb95-0f77f3dbc2abmonkeyeventreferenceterm-24993adlib-term-249939088c03d-54c7-3da2-a65a-6072a263e197triumphplace namereferenceterm-106366adlib-term-106366b3c6d1ca-fe9f-38c0-bdd4-f8d83ac87a8fRomenamed eventreferenceterm-110732adlib-term-1107323ed8a5b7-1dd6-331f-81a8-6cf138e11dfeTriumph of Caesarliteraldouble pipesdouble pipesliteralhorse (animal)horse (animal)literalmonkeymonkeyliteraltriumphtriumphliteralRomeRomeliteralTriumph of CaesarTriumph of Caesarreferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishdishbuff earthenware, tin-glazed overall; on the reverse the glaze is off-white and has crawled in several places. Painted in dark blue, light blue, green, yellow, orange, and brownish-reduncertainreferenceterm-120082adlib-term-120082ea83ed85-6b07-3e7e-83fc-440cfda22f7ethrowingreferenceterm-120059adlib-term-120059dfa315b5-819d-37ab-ab22-bddfdbb3cbe7tin-glazingCaesar's Horse from a Triumph of Caesarobject
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