15929995530001312637261000Standard Recordobject-71200170292705194817028932990001702926924421fitz-onlineadlib-object-71200https://data.fitzmuseum.cam.ac.uk/id/object/712008b6a19f6-8242-3d88-8fd2-b30f2a4a204812referenceterm-42825adlib-term-42825858e5d17-b554-33d6-936f-25b16f72f39dstonewareApplied ArtsHigh-fired reduced stoneware, thrown, dimpled, and squashed, and painted with blue, green, grey and brown glazes, except for the base, which appers to be coated in pale grey slip. The vase has a concave base, and sides which slope upwards and outwards to an irregularly shaped, roughly circular rim. The glazes are applied to produce a runny, variegated effect350referenceexhibition-1964adlib-exhibition-1964e56c1c7e-ec82-36c8-ac6b-e6e28b761ee4Janice Tchalenko New CeramicsC.103-19971accession numberC.103-199771200priref71200urihttps://data.fitzmuseum.cam.ac.uk/id/object/71200https://data.fitzmuseum.cam.ac.uk/id/object/71200referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGift of Nicholas and Judith Goodison through the National Art Collections Fundreferenceagent-156032adlib-agent-1560323aded83c-6f5c-39b8-a50c-07f712e01b2cGoodison, Nicholas and Judith199719971997givenEntry date: 1997-12-051997CE1997dated1997potterreferenceagent-161073adlib-agent-161073ac12db03-b49c-38e2-bb8d-8e7b4a19375cTchalenko, JaniceText from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Janice Tchalenko trained as a studio potter at Harrow School of Art in the late 1960s. For ten years she produced hand-thrown tableware in the muted tones of the Leach tradition, but then began introducing new shapes and bold colours, thereby setting a whole new agenda for the studio pottery movement. In the early 1980s Next Interiors asked her to design a range of giftware for their shops, and at the same time she became chief designer for Dartington Pottery, creating their signature ranges in high-fired reduction stoneware. She also worked with the Designers Guild on a range of fabrics based on her ceramic surface patterns. Alongside making individual exhibition pieces, Tchalenko has collaborated with painters and sculptors, exploring common ground between fine art and ceramics. One of her most fruitful projects was with the Spitting Image workshop, the outcome being an exhibition called The Seven Deadly Sins at the Victoria and Albert Museum (1993). Currently, she is working with designers Queensberry Hunt on a project in Chaozhou, South China, and with Poole Pottery, Stoke-on-Trent, both for the John Lewis Partnership. She has been a part-time lecturer in art schools for most of her career and is a Fellow of the Royal College of Art. Janice Tchalenko: ‘This vase was from a series where I was exploring the optical effects of pouring glazes over uneven surfaces. Interesting but rather costly on kiln shelves.’ A life history interview with Janice Tchalenko is available at http://sounds.bl.uk/Oral-history/Craftsreferenceterm-109890adlib-term-109890825251c2-9904-34be-b6ab-c855347f224720th Century, Late#referenceterm-107700adlib-term-1077008f5360fb-b262-3ae9-8942-b81cc0e3e848Elizabeth IIreferenceterm-106216adlib-term-106216825b8379-ec94-388e-9a59-624e40c090d0literalEnglandEnglandcountryLondonreferenceterm-32652adlib-term-3265282d8ae3b-f165-395c-ba93-dfa1c282b7beglazereferenceterm-42825adlib-term-42825858e5d17-b554-33d6-936f-25b16f72f39dstonewareHeightcm24Widthcm27.5referencemedia-196776adlib-media-19677682fea795-5863-383c-96cc-752cca452c51jpegaa/aa33/C_103_1997_1_201506_kly25_dc2.jpg1heightpixels1025widthpixels90117029264067101imagejpegaa/aa33/mid_C_103_1997_1_201506_kly25_dc2.jpg1heightpixels569widthpixels50017029264067101imagejpegaa/aa33/C_103_1997_1_201506_kly25_dc2.jpg1heightpixels1025widthpixels90117029264067101imagejpegaa/aa33/preview_C_103_1997_1_201506_kly25_dc2.jpg1heightpixels284widthpixels25017029264067101image0media
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imagereferenceterm-89480adlib-term-89480f1ea518e-351c-3f42-b2a7-db0f8559fa2cvaseobject namereferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicscategoryhistory noteBeaux Arts, 12/13 York Street, Bath, BA1 1NGreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumRef. pp. 252-3 for brief biography, literature, and examples of the potter's work, nos. 620-4.252-3referencepublication-1884adlib-publication-1884a0a5e5b4-dfaa-3530-9af5-80212d4ee637British Studio Pottery, the Victoria and Albert Museum CollectionPubl. pp. 42-5, no. 10, illustrations pp. 43-5. Object description, maker's biography and quote from maker42-45referencepublication-8258adlib-publication-825871d79ea2-2385-305e-9044-fbb0cde9ffe7Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museumreferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicsreferenceterm-89480adlib-term-89480f1ea518e-351c-3f42-b2a7-db0f8559fa2cvasevasereferenceterm-120063adlib-term-1200632bb093e1-00f9-33a9-9146-854f6bbd206aslip-trailingreferenceterm-120082adlib-term-120082ea83ed85-6b07-3e7e-83fc-440cfda22f7ethrowingreferenceterm-132961adlib-term-1329610e808f92-eb02-3a59-822d-baf90069ae7cdimplingreferenceterm-26926adlib-term-26926548f0043-4a20-308e-8b58-43245555b4e2firing (heating)object
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