15929995590001312637261000Standard Recordobject-71355170966176116717090391270001709661757486fitz-onlineadlib-object-71355https://data.fitzmuseum.cam.ac.uk/id/object/7135584045478-a491-382b-a8da-ca9ebe04f81712referenceagent-179350adlib-agent-17935000d2e445-64b3-37fe-b93e-78b2ae0c1444Foountaine, Andrew, IVMarmaduke Langdale Horn was born on 23 November 1889 at 'Holmwood' at Walkerville in South Australia, and was one of three brothers who served in the Royal Flying Corp during the First World War. He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953.
Information from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https://www.saam.org.au/aviatorprofiles.htmlreferenceagent-207524adlib-agent-20752408f9ec74-320f-3c60-aad1-c985ed27cc46Horn, Marmaduke Langdale (1889-1953)personreferenceagent-160362adlib-agent-16036244ce5876-ae4f-3a12-adf7-bda70173856eUlyssespersonreferenceagent-160360adlib-agent-160360f08ddf1e-3622-3c74-adf8-61c8a09dfc58Circereferenceterm-108348adlib-term-108348667e7a19-db33-3d85-bd9b-c2dafd8e02fftin-glazed earthenwarereferenceterm-42865adlib-term-4286592be1d50-bb1c-3472-950f-b140ee6cdde9maiolicablue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and whitereferenceterm-108364adlib-term-108364115b8729-a560-35c1-b654-4b9d2fc5f68bhigh-temperature coloursDecorationreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingreferenceterm-1111adlib-term-111146c949dd-f376-3538-878f-397baee5be09mythologyApplied ArtsMaiolica bowl with broad rim, painted in polychrome with Ulysses commanding Circe to restore his Companions to their Rightful Forms.Buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.
Ulysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532./Vlisse chiede a Circe/i suoi compagni/Nel .XIIII. Li d Ouidio Met:/.fra: Xanto.A./da Rovi...i / Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino).no cataloguereferenceexhibition-1605adlib-exhibition-160504d3c358-0bef-3d8f-8df5-14f16987ac1bItalian Maiolica in the Fitzwilliam MuseumC.11-19531accession numberC.11-195371355priref71355urihttps://data.fitzmuseum.cam.ac.uk/id/object/71355https://data.fitzmuseum.cam.ac.uk/id/object/71355on the backincised'af' and '83'markin the middle of the backpainted in1532./Vlisse chiede a Circe/i suoi compagni/Nel .XIIII. Li d Ouidio Met:/.fra: Xanto.A./da Rovi...i / Urbi . . .'inscriptionreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumM.L. Horn Bequestreferenceagent-153306adlib-agent-153306ffdbdb9b-fb52-37d0-befe-c60f946304c6Horn, Marmaduke Langdale195319531953-10-22bequeathed1532CE1532dated1532painterreferenceagent-5335adlib-agent-5335abbd62ad-dff5-32f6-8881-6cc828e21322Avelli, Francesco Xantoafterprintmakerreferenceagent-112340adlib-agent-112340a9104dd3-daf9-32ba-b083-c074b588b652Raimondi, Marcantonioafterprintmakerreferenceagent-182276adlib-agent-182276cb8a3144-a25c-3442-a37f-b502434af8e9Monogrammist I. B.afterprintmakerreferenceagent-35821adlib-agent-358217864b6fe-8b62-333d-b6ff-dcc5decb8942Dente, Marco (Marco da Ravenna)Francesco Xanto was a freelance maiolica painter and it is not known in which workshop this dish was made. Xanto frequently constructed the scenes on his dishes with figures taken from several different engraved sources. The scene from the story of Ulysses and Circe was constructed from four. Ulysses was derived from 'Jupiter', dated 1528, by the Monogrammist IB. The figure also resembles Perseus in the woodcut illustration of Perseus and Andromeda in 'Ouidio methamorphoseos vulgare', Venice (Lucantonio Giunta), 1497. Circe was taken from the Muse Euterpe in the engraving by Marcantonio Raimondi of Raphael's 'Parnassus'. The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano.This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt, thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8. Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. When the latter arrived at the palace he refused the poisoned cup offered by Circe and threatened her with his sword. Then, having made a marriage pact with her, he demanded as a wedding gift that she return his companions to their rightful forms. This subject also occurs on a dish of 1533 in the Louvre, which has the same figures of Ulysses and Circe, but is otherwise rendered differently.referenceterm-120009adlib-term-120009690a6332-cfc1-3411-a716-4dd4ec7d9a6516th Century, second quarter#referenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissancereferenceterm-110708adlib-term-110708ef038505-1555-3c61-b6e2-cadcedf6c42aliteralItalyItalycountryliteralThe MarchesThe MarchesregionUrbinoreferenceterm-39575adlib-term-39575cdf6707a-1eeb-3622-a26b-6e54f1f8d4abtin-glazereferenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwareDiametercm26Heightcm4.6referencemedia-200302adlib-media-200302336b022d-2023-3482-8f7e-69e65ac64878jpegaa/aa35/C_11_1953_1_200711_mfj22_dc2.jpg1heightpixels1024widthpixels97017029267422141imagejpegaa/aa35/mid_C_11_1953_1_200711_mfj22_dc2.jpg1heightpixels528widthpixels50017029267422141imagejpegaa/aa35/C_11_1953_1_200711_mfj22_dc2.jpg1heightpixels1024widthpixels97017029267422141imagejpegaa/aa35/preview_C_11_1953_1_200711_mfj22_dc2.jpg1heightpixels264widthpixels25017029267422141image0media
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imagereferenceterm-125345adlib-term-125345044a81eb-350e-3229-9e5e-72ab4fb784aabowl with broad rimtondinohistory noteConte Ferdinando Pasolini Dall'Onda, Faenza; Paris, Ridel, 14 December 1853, Catalogue d'une belle collection de majoliques italiennes des diverses fabriques des XVe, XVIe & XVIIe siècles, lot 171; Andrew Fountaine IV (1808-73); his heir; Christie's, 16 June 1884, Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels . . ., removed from Narford Hall, Norfolk, lot 39; Lowengard; Bourgeois Frères; Cologne, Heberle, 19-27 October 1904, Collection Bourgeois Frères, Catalogue des objets d'art et e haute curiosité composant la collection Bourgeois Frères et dont la vente aura lieu à Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904, lot 93; Dr Alfred Pringsheim; Sotheby's, 20 July 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 390; Marmaduke Langdale Horn (1890-1953).1referenceobject-79992adlib-object-799920afccc3e-6f13-3dfe-9750-e7da10ea83f21reference1term-34935adlib-term-34935b6750733-fe79-33fc-b39a-c296fcd223b4plateplatereferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. p. 14, no. 49p. 14referencepublication-3035adlib-publication-30353064cc6f-227c-3011-80f7-1d2bb0eef991Del Museo Pasolini in Faenza, Descrizionereferencepublication-3243adlib-publication-3243d5ca76d7-4fe9-38fd-be5a-5ec6c2e12af6Catalogue d'une belle collection de majoliques italiennes des diverses fabriques des XVe, XVIe & XVIIe sièclesreferencepublication-3211adlib-publication-3211fed40c31-3ea0-30bf-83ed-c01c57ecab80Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolkreferencepublication-3248adlib-publication-3248652d18eb-394c-32a9-85e3-3629ddcba65dCollection Bourgeois Frères, Catalogue des objets d'art et e haute curiosité composant la collection Bourgeois Frères et dont la vente aura lieu à Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904referencepublication-3201adlib-publication-3201e21a58a9-f96d-3513-b0fd-be8aadf7e292Die Majolikasammlung Alfred Pringsheim in München, IIPubl. pp. 105-19, mentioned p. 113pp. 105-19referencepublication-200001097adlib-publication-200001097b4478edd-f3c0-302b-ab2f-b38dec094f48Rimpianto (Due collezioni faentine disperse)Publ. p. 21, no. 50, figs. 47, 251Rp. 21referencepublication-3247adlib-publication-324722d81b28-1e7d-397d-8b1a-ca77d4f27d2bCorpus della maiolica italiana, II, Le maioliche datate dal l53l al l535referencepublication-3210adlib-publication-3210eaaf753e-ee13-36ac-9da2-fe5a45660bbbCatalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of MunichPubl. p. 444p. 444referencepublication-200001086adlib-publication-200001086508c33f0-935b-3dda-bc6b-02d7f8119b1bThe Fountaine collection of maiolicaPubl. p. 267-9, no. 26 and pl. LIIa and b.26-9referencepublication-200001098adlib-publication-20000109815fd53b4-8d44-3674-849b-a3a5edc2b2c4Francesco Xanto Avelli's Pucci Service (1532-1533): Part TwoRef.pp. 32-43 for information about the service32-43referencepublication-200001155adlib-publication-2000011557f5c49e5-d61a-3b67-a370-15c67ad64021Francesco Xanto's Pucci Service (1532-1533): Part OnePubl. p. 254, no. 80.13p. 254referencepublication-200000984adlib-publication-20000098466e91566-e73d-3cc0-83a5-b0e3ce3bcb1cXanto and AriostoPubl. pp. 338-340, no. 391; for the printed sources see p. 318, fig. 19, p. 313, fig. 17, p. 328, fig. 24, and p. 339, fig. 31pp. 338-340referencepublication-3010adlib-publication-3010e3e61863-a797-3051-8d0a-20288306ca36Italian Maiolica and Incised Slipware in the Fitzwilliam Museum CambridgeRef. p. 10-18, for a discussion of whether or not Monogrammist IB can be identified with Georg Pencz. Landau's view is that they are not the same person.10-18referencepublication-1466adlib-publication-1466c8db8cda-c826-3edb-912e-3bf5c48be1ccCatalogo completo dell'opera grafica di Georg Penczreferencepublication-7213adlib-publication-7213b9763f84-28b0-37a4-9c6b-acae3494b9b2The Art of the Italian Potter, Maiolica and Porcelain from a Private CollectionCf. pp. 182-3, no. 57, a large dish from the Pucci service decorated with the Woman of Sestos.182-3referencepublication-8274adlib-publication-82747be4693f-9344-330a-8733-2ca7558ee846Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of ArtCf. pp. 188-9, a dish from the Pucci service in the McEwan Collection, Polesden Lacy, Surrey (National Trust). It is 26.1 cm in diameter and is decorated with Bacchus transforming the Thracian Maenads into oak trees, as a punishment for murdering Orpheus. The base is inscribed '1532/Le Baccanti Coverse i/verdi frasche./Nel XI libro d Ovidio Meth:/fra. Xanto A./da Rovigo I/Urbino'188-9referencepublication-8407adlib-publication-8407c2ab7f09-de03-38d7-b05a-2d9deb284d12Ceramics. 400 Years of British Collecting in 100 MasterpiecesCf. pp. 242-4, no. 105, and 245, no. 106, two plates from the Pucci Service, both dated 1532, respectively 'Anchises, Ascanius, Aeneas, and Creusa', and 'Aesacus and Hesperia'242-5referencepublication-8571adlib-publication-85711c526257-c1d6-33b1-a279-b3248fce0bccThe Golden Age of Maiolica-Painting. Catalogue of a Private Collectionreferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissanceobject namereferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishobject namereferenceterm-88137adlib-term-88137eeab1777-4158-31f4-8f8a-0015cb1910f7ewerobject namereferenceterm-89303adlib-term-893037012fd66-769f-33c8-bb38-d805db27c8c9basinobject namereferenceterm-69145adlib-term-69145784af795-5401-382f-b51a-79b0f2b2dab1curtainsobject namereferenceterm-107516adlib-term-107516146a0bfc-a677-3f01-8f8a-18d01ec5f2f2shieldobject namereferenceterm-110720adlib-term-110720a3c10876-e889-3e8d-a458-73e817c04520coat-of-armsanimalreferenceterm-108479adlib-term-108479f2ffb61a-dbec-3e42-b692-d0a04263041aswineplace typereferenceterm-3818adlib-term-3818e63ad2a0-36b3-3768-9da4-45eb7c2f7a61interiorliteraldishdishliteralewerewerliteralbasinbasinliteralcurtainscurtainsliteralshieldshieldliteralcoat-of-armscoat-of-armsliteralswineswineliteralinteriorinteriorreferenceterm-125345adlib-term-125345044a81eb-350e-3229-9e5e-72ab4fb784aabowl with broad rimbowl with broad rimbuff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white.referenceterm-111179adlib-term-111179be5c887b-c0ed-3d89-82b2-c3a870e72a68mouldingreferenceterm-120059adlib-term-120059dfa315b5-819d-37ab-ab22-bddfdbb3cbe7tin-glazingUlysses commanding Circe to restore his Companions to their Rightful Formsobject
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