15929996080001312637261000Standard Recordobject-73191170292701864617029085440001702926926488fitz-onlineadlib-object-73191https://data.fitzmuseum.cam.ac.uk/id/object/7319134544449-d82d-3cf4-b525-3d4abea3a9026personreferenceagent-152663adlib-agent-15266310d946bf-c10c-3753-a14c-5545113f1357Marsyaspersonreferenceagent-150445adlib-agent-150445cd439c8d-0fd9-39e7-9062-341b662b8069Apolloreferenceterm-108348adlib-term-108348667e7a19-db33-3d85-bd9b-c2dafd8e02fftin-glazed earthenwarereferenceterm-42865adlib-term-4286592be1d50-bb1c-3472-950f-b140ee6cdde9maiolicareferenceterm-113302adlib-term-1133022747e058-f9ff-3d49-9bc9-c69e97b18c26H.S. Reitlingerblue, green, yellow, orange, brown, grey, and whitereferenceterm-108364adlib-term-108364115b8729-a560-35c1-b654-4b9d2fc5f68bhigh-temperature coloursDecorationreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingreferenceterm-1111adlib-term-111146c949dd-f376-3538-878f-397baee5be09mythologyApplied ArtsRenaissance maiolica plate, painted in polychrome with The Flaying of Marsyas.Earthenware, tin-glazed overall; the reverse tinged with green near the edges. Painted in blue, green, yellow, orange, brown, grey, and white. Circular with narrow gently sloping rim and shallow well.
The Flaying of Marsyas. On the left, Marsyas is tied to a tree. Apollo strides towards him holding a knife in his right hand. Marsyas' pipes and Apollo's lyre lie on the ground. In the landscape background there are rocks, shrubs, distant sea and mountains. The edge is yellow. On the back, single yellow bands encircle the foot, shoulder and edge.C.219-19911accession numberC.219-199173191priref73191urihttps://data.fitzmuseum.cam.ac.uk/id/object/73191https://data.fitzmuseum.cam.ac.uk/id/object/73191circular with serrated edgeinscribed in pencil535/clabelreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumH.S. Reitlinger Bequest, 1950; transferred from the Reitlinger Trust, 1991referenceagent-150552adlib-agent-150552566a6fcb-b8cd-3926-9bbf-78d0c4a5cc81Reitlinger, Henry Scipio199119911991-04-29bequeathed15651565CE1565circa1565158011580CE15801580probablyproductionreferenceagent-149652adlib-agent-1496520d4f90dc-b166-3d4b-b0db-25f4118b6e98UnknownThe figures were derived from the woodcut in Gabriello Symeoni's 'Metamorfoseo d'Ovidio', Lyon (Jean de Tournes), 1559.referenceterm-106402adlib-term-1064027466a5d6-293f-3bbc-9672-fa9dd41712be16th Century, Latereferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissancereferenceterm-110708adlib-term-110708ef038505-1555-3c61-b6e2-cadcedf6c42aliteralItalyItalycountryliteralThe MarchesThe MarchesregionUrbinoreferenceterm-39575adlib-term-39575cdf6707a-1eeb-3622-a26b-6e54f1f8d4abtin-glazereferenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwareDiametercm24.1Heightcm3.0referencemedia-39363adlib-media-393638ab604ef-4f42-38c6-a844-9106830ebd6djpegaa/aa9/C_219_1991_281_29.jpg1heightpixels740widthpixels57017029266503191imagejpegaa/aa9/mid_C_219_1991_281_29.jpg1heightpixels649widthpixels50017029266503191imagejpegaa/aa9/C_219_1991_281_29.jpg1heightpixels740widthpixels57017029266503191imagejpegaa/aa9/preview_C_219_1991_281_29.jpg1heightpixels325widthpixels25017029266503191image0media
imagereferencemedia-39364adlib-media-3936492009e52-c8b2-3627-8dd8-fe487b79e4d9jpegaa/aa9/C_219_1991_282_29.jpg1heightpixels740widthpixels57017029262820121imagejpegaa/aa9/mid_C_219_1991_282_29.jpg1heightpixels649widthpixels50017029262820121imagejpegaa/aa9/C_219_1991_282_29.jpg1heightpixels740widthpixels57017029262820121imagejpegaa/aa9/preview_C_219_1991_282_29.jpg1heightpixels325widthpixels25017029262820121image1media
imagereferenceterm-34935adlib-term-34935b6750733-fe79-33fc-b39a-c296fcd223b4platehistory noteH.S. Reitlinger (d.1950); the Reitlinger Trust, Maidenhead, from which transferred in 1991referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. p. 385, no. 418p. 385referencepublication-3010adlib-publication-3010e3e61863-a797-3051-8d0a-20288306ca36Italian Maiolica and Incised Slipware in the Fitzwilliam Museum CambridgeCf. p. 291, no. 369, a plate decorated with the same figures, probably from the same workshop as the Fitzwilliam's plate291referencepublication-3402adlib-publication-3402c8af0496-64ae-35b9-ad9f-d5671244769aItalienische Majolika, Katalog der Sammlungreferenceterm-10618adlib-term-106189ebc0ae1-8cf8-312b-832c-9cf44da02136Renaissanceobject namereferenceterm-107796adlib-term-10779623593458-4ce0-320f-888c-2ba8aa5c5eb1knifeobject namereferenceterm-106288adlib-term-1062885d94e270-3fea-3916-bb70-16dfbf7c5dc7pipeobject namereferenceterm-92289adlib-term-92289a68f0b86-a6a2-3a73-a5aa-c22190983802lyreplantreferenceterm-58471adlib-term-58471ce00216e-da4e-37b3-974c-c2b6377d6c19treeplace typereferenceterm-58346adlib-term-5834636a43f82-c62a-350b-b02c-bc5f4e6544afseaplace typereferenceterm-58400adlib-term-58400d1dd2737-2f36-38e3-8edc-5e486d6d8ac5mountainsnamed eventreferenceterm-113278adlib-term-1132788493b6de-d742-31f7-b59a-ac78c66c3a42The Flaying of MarsyasliteralknifeknifeliteralpipepipeliterallyrelyreliteraltreetreeliteralseasealiteralmountainsmountainsliteralThe Flaying of MarsyasThe Flaying of Marsyasreferenceterm-34935adlib-term-34935b6750733-fe79-33fc-b39a-c296fcd223b4plateplateEarthenware, tin-glazed overall; the reverse tinged with green near the edges. Painted in blue, green, yellow, orange, brown, grey, and white.referenceterm-111179adlib-term-111179be5c887b-c0ed-3d89-82b2-c3a870e72a68mouldingreferenceterm-120059adlib-term-120059dfa315b5-819d-37ab-ab22-bddfdbb3cbe7tin-glazingThe Flaying of Marsyasobject
OBJECT