15929997120001312637261000Standard Recordobject-94597170249414797916074367150001702494117301fitz-onlineadlib-object-94597https://data.fitzmuseum.cam.ac.uk/id/object/94597e096b379-1320-3e2f-8744-6fdd7373251a10referenceterm-91170adlib-term-91170d49ca0b4-ccae-3039-afe0-882c186cff25glassreferenceterm-109889adlib-term-1098899d2b434a-b03b-3dfa-8bb5-5d0ced5829c3studio glassApplied ArtsExtremely bubbly glass, cast, and kiln formed by heat. Formed as a vertical pleated tube which has been manipulated into an irregular roughly rectangular shape, wider at one end than the other, and sloping inwards at the wider end.C.9-20031accession numberC.9-200394597priref94597200320032003Entry form186urihttps://data.fitzmuseum.cam.ac.uk/id/object/94597https://data.fitzmuseum.cam.ac.uk/id/object/94597referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGiven by Nicholas and Judith Goodison through the National Art Collections Fundreferenceagent-156032adlib-agent-1560323aded83c-6f5c-39b8-a50c-07f712e01b2cGoodison, Nicholas and Judith200320032003-07-14givensince 2007 the National Art Collections Fund has been known as The Art Fund199919991999glassmakerreferenceagent-163547adlib-agent-163547873536b5-beb3-3440-baf6-e3df589e12c5Sato, NaokoText from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Naoko Sato studied at Middlesex Polytechnic and the Royal College of Art, London. She established her own studio in London in 2000 with the aid of a Crafts Council setting-up grant followed by a Woo Charitable Foundation Bursary in 2001. Sato specialises in techniques of casting and kiln working glass to create forms that suggest fluid movement. Naoko Sato: ‘I have always been interested in the way clothes find their shape on the human body. I love watching a woman with a pleated skirt walking by creating a wonderful movement. I tried to express this interest in the medium of glass by casting then stretching the cast piece in the kiln a second or third time.’This form is inspired by the movement of women's pleated skirtsreferenceterm-109890adlib-term-109890825251c2-9904-34be-b6ab-c855347f224720th Century, Late#referenceterm-107700adlib-term-1077008f5360fb-b262-3ae9-8942-b81cc0e3e848Elizabeth IIreferenceterm-106216adlib-term-106216825b8379-ec94-388e-9a59-624e40c090d0literalEnglandEnglandcountryLondonextremely bubbly colourlessreferenceterm-91170adlib-term-91170d49ca0b4-ccae-3039-afe0-882c186cff25glassHeightcm21.5Lengthcm30Widthcm16.5referencemedia-196764adlib-media-196764612a920a-421f-331c-a158-b18720a75153jpegaa/aa33/large_C_9_2003_1_201505_kly25_dc2.jpg1heightpixels768widthpixels102416162571192611imagejpegaa/aa33/mid_C_9_2003_1_201505_kly25_dc2.jpg1heightpixels375widthpixels50016162571192611imagejpegaa/aa33/C_9_2003_1_201505_kly25_dc2.jpg1heightpixels769widthpixels102516162571192611imagejpegaa/aa33/preview_C_9_2003_1_201505_kly25_dc2.jpg1heightpixels188widthpixels25016162571192611image0media
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imagereferencemedia-196990adlib-media-19699072ec8e1b-fdea-3c2c-97b0-3482563049b1jpegaa/aa34/large_C_9_2003_3_201505_kly25_dc2.jpg1heightpixels768widthpixels102416162605791351imagejpegaa/aa34/mid_C_9_2003_3_201505_kly25_dc2.jpg1heightpixels375widthpixels50016162605791351imagejpegaa/aa34/C_9_2003_3_201505_kly25_dc2.jpg1heightpixels769widthpixels102516162605791351imagejpegaa/aa34/preview_C_9_2003_3_201505_kly25_dc2.jpg1heightpixels188widthpixels25016162605791351image2media
imagereferencemedia-196991adlib-media-196991ea32a8b3-5898-3f7d-bf96-10e76dfd5563jpegaa/aa34/large_C_9_2003_4_201505_kly25_dc2.jpg1heightpixels768widthpixels102416162839439201imagejpegaa/aa34/mid_C_9_2003_4_201505_kly25_dc2.jpg1heightpixels375widthpixels50016162839439201imagejpegaa/aa34/C_9_2003_4_201505_kly25_dc2.jpg1heightpixels769widthpixels102516162839439201imagejpegaa/aa34/preview_C_9_2003_4_201505_kly25_dc2.jpg1heightpixels188widthpixels25016162839439201image3media
imagereferenceterm-115435adlib-term-1154354a429378-b13c-3099-a41c-166c68670f9eglass formhistory noteAdrian Sassoon, 14 Rutland Gate, London, SW7 1BB from whom purchased by the donorsreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. pp. 130-31, no. 49, illustrated p. 131. Object description, maker's biography and quoteno. 49130-31referencepublication-8258adlib-publication-825871d79ea2-2385-305e-9044-fbb0cde9ffe7Contemporary British Crafts: The Goodison Gift to The Fitzwilliam MuseumRef. p. 120 for brief biography, cf. p. 121 'Transition 27, lost wax cast and slumped glass, London, 2001. V. & A. C.105-2001. The glassmaker's statement refers to the movement of a pleated skirt when a woman is walking, and how she tries to express this movement in glass.120-1referencepublication-5944adlib-publication-5944b1947a5e-8b45-3a02-8822-ad2c91804b30Contemporary International Glass, 60 Artists in the V & Areferenceterm-117337adlib-term-1173374384df20-5604-3ac1-aff2-e396ed3bf20dContemporary Craftreferenceterm-115435adlib-term-1154354a429378-b13c-3099-a41c-166c68670f9eglass formglass formextremely bubbly glass, cast, and kiln formed by heatreferenceterm-26699adlib-term-26699a385eebb-7834-3204-a17f-d9c3cd15d9b8casting (process)referenceterm-127418adlib-term-127418ebecf182-e2f7-3478-93d2-7523e097e4c3kiln formingClear Glass Formobject
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