Sultana Asseki
Factory:
Meissen Porcelain Factory
Modeller:
Kändler, Johann Joachim
Hard-paste porcelain painted in polychrome enamels, and gilt
Hard-paste porcelain painted in blue, green, yellow, flesh pink, dark pink, dark mauve, red, and greyish-brown enamels and gilt. The concave underside is glazed except for a flat area round the edge and has a round ventilation hole below the figure. The low rocky base rises up a little at the back to support the figure, and is strewn with applied yellowish-green leaves and a yellow, a blue and a pink flower at the front, and a small yellow and a pink at the back. The Sultana leans back slightly, standing on her right foot with her left behind her. With her right hand she toys with a tress of her long greyish-brown hair. Her left hand is extended a little way in front of her. On her head she has a closely wound white cloth which is looped up at the back. Over a white chemise she wears a long pale yellow robe decorated with sprays of dark mauve flowers and foliage, which is fastened above the waist with two gold buttons, and has a dark pink collar and flaps at the wrists. Over this she has a long blue short-sleeved coat with white fur edging and lining. Around her waist she has a wide, jewelled red belt, and on her feet, red slippers
History note: Willy Lissauer, Berlin from whom purchased on 23 March, 1935 for £55 by Cecil Vavasseur, 2nd Baron Fisher of Kilverstone; Lord and Lady Fisher
Given by Lord and Lady Fisher through the National Art Collections Fund
Height: 22.2 cm
Width: 11.5 cm
Method of acquisition: Given (1954-01-14) by Fisher, Lord and Lady
18th Century, Mid
Circa
1749
CE
-
1750
CE
During the 18th century Europeans were fascinated by the exotic costumes and customs of the Ottoman Empire, and their interest was stimulated by the publication of illustrated books on costume and other topics. Amongst the best known of these was the Comte de Ferriol’s 'Receuil de cent estampes representant différentes nations du Levant. . . Paris, 1714. Another edition was printed in 1715, and a smaller German edition in two volumes with some plates reversed 'Wahrest und neueste Abbildung des Türchisches Hofes' was published by Christoph Weigel at Nuremberg in 1719, and 1721 (with Der in front of title). The plates in the 'Receuil' were engraved by several artists from drawings made in 1707 and 1708 by Jean-Baptiste Vanmour (1671-1737), who was a member of de Ferriol’s entourage during the ten years from 1699 which he spent as Louis XIV’s Ambassador to the Sublime Porte. They depicted the Sultan, his Court and the various people of the Ottoman Empire who frequented Istanbul. The Sultana Asseki (the title given to the Sultan’s second wife who had borne a son) Meissen model no. 1287, corresponds to pl. 3 in Weigel, vol. I, 1719 which is in reverse to the original pl. 3 in the Receuil of 1714 or 1715.
Decoration
composed of
enamel
( blue, green, yellow, flesh pink, dark pink, dark mauve, red, and greyish-brown)
gold
Base
Depth 10.8 cm
Press-moulding
: Hard-paste porcelain, press-moulded, painted in in blue, green, yellow, flesh pink, dark pink, dark mauve, red, and greyish-brown enamels, and gilt
Glazing (coating)
Inscription present: blurred
Inscription present: circular white paper label with serrated edge
Accession number: C.41-1954
Primary reference Number: 131051
Model number: 1287
Old object number: 400
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024) "Sultana Asseki" Web page available at: https://collection.beta.fitz.ms/id/object/131051 Accessed: 2024-11-02 16:24:28
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://collection.beta.fitz.ms/id/object/131051
|title=Sultana Asseki
|author=The Fitzwilliam Museum|accessdate=2024-11-02 16:24:28|publisher=The
University of Cambridge}}
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