These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.
Download this imageCreative commons explained - what it means, how you can use our's and other people's content.
Copper Lattice
Glassmaker: Lawrence, Karen
Clear and grey glass threads, arranged and moulded to form a shallow circular dish
Grey and clear glass threads, heated and pressed to form a shallow curved dish. In the centre there is a a circular area of almost solid clear glass, surrounded by a broad zone of criss-crossing threads, and borderd by a zone of almost solid grey glass 6.5 cm to 7 cm whide
History note: Contemporary Applied Art, 2 Percy Street, London, W1T 1DD from whom purchased by the donors
Gift of Nicholas and Judith Goodison through the Art Fund
Height: 5.5 cm
Width: 49 cm
Method of acquisition: Given (2006-07-17) by Goodison, Nicholas and Judith
21st Century, Early
Production date:
AD 2006
Text from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Karen Lawrence studied Three-Dimensional Design at the University of Buckinghamshire, specialising in silversmithing. She spent a period working as a studio assistant at Dartington Glass and then in 1983 joined the London Glassblowing Workshop, initially to help develop the facility to electroform onto glass (started by Anna Dickinson, see 47). Her interest in glass, which had started at college following classes with Sam Herman (b.1936), was crystallised whilst working with the London Glassblowing Workshop, and she went on to develop ambitious, architectural-scale works in this medium establishing a full-time studio in London in 1998. Her two-metre-high Glacier was awarded the Worshipful Company of Glass Sellers award in 2002 and in 2008 she completed a pair of doublesided kiln-cast and etched glass screens entitled Waterscape Panels for St Thomas’ Hospital in London. As Peter Layton, her former colleague from London Glassblowing Workshop, said, ‘Perhaps her greatest success in the field was the ability to translate the fragile light-capturing qualities of pâte de verre to an architectural scale.’
Threads
clear and grey Glass
Accession number: C.12-2006
Primary reference Number: 131289
Entry form number: 817
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024) "Copper Lattice" Web page available at: https://collection.beta.fitz.ms/id/object/131289 Accessed: 2024-12-19 08:22:00
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://collection.beta.fitz.ms/id/object/131289
|title=Copper Lattice
|author=The Fitzwilliam Museum|accessdate=2024-12-19 08:22:00|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://collection.beta.fitz.ms/api/v1/objects/object-131289
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa33/large_C_12_2006_1_200612_adn21_dc2.jpg"
alt="Copper Lattice"
class="img-fluid" />
<figcaption class="figure-caption text-info">Copper Lattice</figcaption>
</figure>
</div>
Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...
