These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.
Download this imageCreative commons explained - what it means, how you can use our's and other people's content.
The Last Supper
Enameller:
Ydieux, Martial
(Probably)
Printmaker:
Dürer, Albrecht
(After)
Rectangular copper plaque enamelled en grisaille with the Last Supper, signed M.D. with a dot inside the D.
Rectangular, almost flat, copper plaque, enamelled in grisaille and with a little pale pink enamel on a black ground, and gilded. The ground appears very dark brownish-mulberry on the outer edges, The reverse has clear unevenly applied counter- enamel tinged with brownish-mulberry.
A white fringed canopy runs across the top beneath which Christ and the twelve disciples are seated round a table on which are five manchets of bread, an animal on oval dish, a knife, a roll, and beaker. Two of the disciples seated on a bench on the left have their backs to the viewer, as does another on the right, whose moneybag identifies him as Judas. Behind him in the foreground is a ovoid ewer with a scroll handle. Behind Christ there is a black hanging scatted with gold dots and edged by gold lines. Gold is also used for Christ’s aureole and the halos of the disciples. Initialled in gold beside the ewer in the right foreground ‘.M.D .’ with an I inside the D.
History note: Andrew Fountaine III (1770–1835); Andrew Fountaine IV (1808–73); Christie’s, 16 June, 1884, and following days, Catalogue of the Celebrated Fountaine Collection of Majolica, Henri II. Ware, Palissy Ware, Nevers Ware, Limoges Enamels . . . Removed from Narford Hall, Norfolk, second day, p. 34, lot 259; Martin Colnaghi (£97.13.0 with lot 260). Stephenson Clarke (1824-91), Croydon Lodge, West Sussex; his daughter, Mrs Dendy Marshall (née Adela Rose Clarke (1872/73–1955), Wondersh, near Guildford, Surrey.
Given by Mrs Dendy Marshall
Height: 15.5 cm
Width: 12.4 cm
Method of acquisition: Given (1954-10-21) by Marshall, Dendy, Mrs
16th Century, third quarter#
Circa
1550
-
1570
This plaque would have formed part of a series depicting the Passion of Christ which traditionally began with Christ’s entry into Jerusalem on Palm Sunday and ended with his Entombment, but was frequently continued to the Resurrection, or Ascension. The Last Supper, Christ’s final Passover meal with his disciples at which he instituted the Eucharist or Holy Communion, is described in three of the Gospels - Matthew 26, 20-30; Mark 14, 17-26, and Luke 22,14-38 - and is briefly mentioned in St John 13, 1-3. The source of the design was 'The Last Supper' in Albrecht Dürer’s thirty-seven woodcuts known as the Small Passion, executed in 1509¬-10, and published in book form with a Latin text in Nuremberg in1511. The enameller followed the print closely, including the prominent hatching, but exchanged a sturdy flagon in the right foreground for an elegant pseudo-classical ewer, and omitted a small covered pot on the table. The plaque was probably part of series of Passion plaques, which, depending on its numbers, could have been framed as an altarpiece, as some polychrome Passion plaques were, or as a smaller triptych or panel for devotional use. However, no large groups of grisaille Passion plaques have survived from this period in their original frame.The most extensive group attributed to Martial Ydeux comprises ten larger plaques in the Louvre, three of which are signed in the same way as this one. The enameller, Martial Ydeux (active from the late 1540s to about 1570) was one of the finest exponents of the grisaille technique, who seems to have worked mainly on plaques. His best work is extraordinarily refined and expressive, with soft gradations of grey to white on a manganese-black ground producing painterly sfumato effects. Other signed plaques, including this one, have more obvious hatching and cross-hatching in the manner of an engraving, executed by enlevage with a needle through the pale upper layer to reveal the darker toned enamel below. Similar differences in execution are present between the Louvre’s plaques of 'Christ washing St Peter’s Feet' and the' Nailing of Christ to the Cross' both initialled MD enclosing I.(Inv. OA 4004 and OA 970).
Decoration
composed of
enamel
( white, dark mulberry-brown appearing black, pale pink; clear counter enamel)
Plaque
composed of
copper
Inscription present: small square paper label printed with a ‘6’.
Accession number: M.3-1954
Primary reference Number: 156457
Old object number: af 6
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
Mirador deep zoom
IIIF Manifest
The Fitzwilliam Museum (2024) "The Last Supper" Web page available at: https://collection.beta.fitz.ms/id/object/156457 Accessed: 2024-12-22 09:09:23
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://collection.beta.fitz.ms/id/object/156457
|title=The Last Supper
|author=The Fitzwilliam Museum|accessdate=2024-12-22 09:09:23|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://collection.beta.fitz.ms/api/v1/objects/object-156457
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa20/M_3_1954_20_281_29.jpg"
alt="The Last Supper"
class="img-fluid" />
<figcaption class="figure-caption text-info">The Last Supper</figcaption>
</figure>
</div>
Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...
