These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.
Download this imageCreative commons explained - what it means, how you can use our's and other people's content.
The Sailor's Departure Oval No. 78
Printmaker:
Le Blond, Abraham
Publisher:
Le Blond & Co
A sailor bids an emotional farewell to his wife and eldest child outside a cottage door. His wife's face is buried in a handkerchief and she clings to his hand. A old woman, a mother or mother-in-law, sits by the cottage door and a younger child plays on the ground, oblivious to events. A dog stands at the open garden gate signalling the sailor's imminent departure.
History note: Given by G.H.W. Rylands
Given by G.H.W. Rylands
Method of acquisition: Given by Rylands, G.H.W.
19th Century
Circa
1853
-
Circa
1867
Stamped at lower centre: 'LE BLOND & CO LONDON'. From a set of 32 Baxter-process prints by George Baxter licensee, Abraham Le Blond known as 'The Ovals'. In a departure from Baxter, who stuck his prints onto embossed or printed mounts, Le Blond printed this set, probably with a view to economy, directly onto mounts after which an embossed border, title and number were then added. The Le Blond Ovals, almost certainly in all 32 cases, are reproductions after a series of small oval oil paintings on board by the artist, John Anthony Puller (1799-1886). Puller exhibited regularly at the Royal Academy Summer exhibition between 1821 and 1862 and at the British Institution between 1825 and 1867. Many of his painted ovals, which compare exactly with the compositions of the Le Blond Ovals, have appeared at auction quite regularly during the last 20 years and it has been possible to trace 22 of Puller's compositions to the Le Blond Ovals. It is thought that Puller was probably contracted to produce the small oval paintings for Le Blond, although no evidence of this arrangement has come to light. (See New Baxter Society) Moreover, the fact that a number of small ovals on board by Puller of scenes which are not included in the Le Blond Ovals (such as 'A Travelling Pedlar' and 'A Picnic'), may indicate that a series of small oval compositions for the popular market originated with Puller and that it was Le Blond who struck a deal with Puller for the right to reproduce a selected number for his Baxter process series. For the transfer from painting to print, Le Blond employed the artists George Stone, his eldest son, Francis Le Blond and later his youngest son, Bernard Maynard Le Blond. (Lycett and Martin, 1994, p.19)
Baxter-process print
Embossing
Accession number: P.14895-R
Primary reference Number: 239724
Courtney Lewis: 94
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Paintings, Drawings and Prints
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024) "The Sailor's Departure" Web page available at: https://collection.beta.fitz.ms/id/object/239724 Accessed: 2024-11-14 16:45:00
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://collection.beta.fitz.ms/id/object/239724
|title=The Sailor's Departure
|author=The Fitzwilliam Museum|accessdate=2024-11-14 16:45:00|publisher=The
University of Cambridge}}
To call these data via our API (remember this needs to be authenticated) you can use this code snippet:
https://collection.beta.fitz.ms/api/v1/objects/object-239724
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/690/223/large_P_14895_R_2_201801_adn21_dc1.jpg"
alt="The Sailor's Departure"
class="img-fluid" />
<figcaption class="figure-caption text-info">The Sailor's Departure</figcaption>
</figure>
</div>
Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...
