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Descriptions of the artists of Florence: Arnolfo di Lapo, architect of the Duomo: 832/5.f.16

Object information

Awaiting location update

Titles

Descriptions of the artists of Florence: Arnolfo di Lapo, architect of the Duomo
Descriptions of Florentine artists: continuation of recto; Cimabue

Maker(s)

Draughtsman: Flaxman, John

Categories

Acquisition and important dates

Method of acquisition: Given (1916-12) by Murray, Charles Fairfax

School or Style

British

Materials used in production

Brown ink

Components of the work

Support composed of laid paper
Leaf Size Height 213 mm Width 150 mm

Techniques used in production

Handwriting : Pen and brown ink on laid paper

Inscription or legends present

  • Text: 16
  • Location: Upper right
  • Method of creation: Brown ink

Inscription present: [i] preceding word crossed through in brown ink; [ii] preceding two words crossed through in brown ink, following two above the line

  • Text: Artists of Florence who laboured / for the restoration of the arts / Arnolfo di Lapo born 1232 / built the Duomo the taste of this is / more square & more regular in its parts than of other / buildings erected in the same age in / the more Northern parts of Europe as / the whole is incrusted with white marble formed[i] / into inlaid[ii] enriched with ornaments inlaid, in green & / various coloured marbles forming a / flat surface, round the windows he has introduced ornaments taken from fragments / of Greek, Etruscan & roman remains, / scrols,[sic] frets & ornaments of friezes in / above mentioned manner, he has also carved the mouldings with Egg & ton / que & leaves with different numbers of / points like those on the best Sarcophagi & c of / Antiquities with Arabesque friezes in / a fine taste, these decorations shew the / opportunies[sic] & judgment[sic] this Artist / possessed were very superior to his
  • Location: Recto
  • Method of creation: Brown ink

Inscription present: [i] preceding seven words crossed through in brown ink; [ii] preceding three words crossed through in brown ink

  • Text: contempories northward, his abilities as / a builder are sufficiently established / by the permanence & perfection in which / this Cathderal & the Palazzo Vecchio / remain to this day, ' tho this Church / is of a more Square & heavy taste / than the Cathedral of Milan, the / Mosaics in the colored[sic] Marbles on white / ground, & the pure Antique greek orna- / -ments on the mouldings, & the Roman / orments[sic] on the Friezes give it a most beautiful effect in the parts, [?] is / the oldest building in Florences;[i] Lapo / died 1300 / Cimabue / born 1240 'tho he is[ii] found the Art of / painting, as practised by the Greek painters / (under whom he studied the rudiments] in the / very lowest state, their figures in general were in perpendicular upright Attitudes whether sitting / or standing. the heads standing erect on the / necks or leaning to one side in an unmean-
  • Location: Verso
  • Method of creation: Brown ink

Identification numbers

Accession number: 832/5.f.16
Primary reference Number: 38140
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Thursday 20 May 2021 Last processed: Tuesday 13 June 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Paintings, Drawings and Prints

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Descriptions of the artists of Florence: Arnolfo di Lapo, architect of the Duomo" Web page available at: https://collection.beta.fitz.ms/id/object/38140 Accessed: 2024-06-29 01:30:25

Citation for Wikipedia

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{{cite web|url=https://collection.beta.fitz.ms/id/object/38140 |title=Descriptions of the artists of Florence: Arnolfo di Lapo, architect of the Duomo |author=The Fitzwilliam Museum|accessdate=2024-06-29 01:30:25|publisher=The University of Cambridge}}

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https://collection.beta.fitz.ms/api/v1/objects/object-38140

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