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Investigation of the nature of art and its genesis in Greek traditions: 832/5.f.31

Object information

Awaiting location update

Titles

Investigation of the nature of art and its genesis in Greek traditions
Relationship between Greek and Egyptian art; reverence for rude stones as precursor to statuary tradition

Maker(s)

Draughtsman: Flaxman, John

Categories

Acquisition and important dates

Method of acquisition: Given (1916-12) by Murray, Charles Fairfax

School or Style

British

Materials used in production

Brown ink

Components of the work

Support composed of laid paper
Leaf Size Height 213 mm Width 150 mm

Techniques used in production

Handwriting : Pen and brown ink on laid paper

Inscription or legends present

Inscription present: [i] preceding word crossed through in brown ink; [ii] preceding four words crossed through in brown ink; [iii] preceding word crossed through in brown ink; [iv] preceding two words crossed through in brown ink; [v] preceding five words crossed through in brown ink

  • Text: A mechanical art, is performed by a knowledge / of scientific rules & practice only. / the Arts of Design being liberal, are performed / not only by scientific rules & practice, but they / must originate from Genius or the power of / producing, perfected by the imitation of nature / inasmuch / of[i] therefore as any one attempts to produce works / of design by scientific rules & practice only / insomuch will they be mechanical. / yet the foundations of Art being in Science / it is absolutely necessary for genius to be / assisted by rules, & which they are & how- / far they may be applied to the Arts of / design is the object of the present enquiry / as we have unfortunately lost the writings of the ancient Artists / if it be allowed[ii] these rules should be sought / in the finest of their remaining works, asses[iii] for as the same cause / produces the same effect, so these being found & / demonstrated works of equal excellence may be produced again / to this end the arts of design having attained / to a higher degree of perfection in Greece than in / any[iv] elsewhere, if we trace the steps, by which / they rose to perfection, always comparting the history of their / improvements, with their works of art, we cannot / fail of understanding their[v] must of necessity know
  • Location: Recto
  • Method of creation: Brown ink

Inscription present: [i] preceding word crossed through in brown ink; [ii] preceding two words crossed through in brown ink; [iii] preceding word crossed through in brown ink; [iv] preceding three words crossed through in brown ink; [v] preceding six words crossed through in brown ink; [vi] preceding partial word crossed through in brown ink

  • Text: on what principles they proceeded / whatever assistance the Greeks might have / derived from the Egyptians in the Arts of design / belongs to the Antiquarian rather than the Artist / to enquire because no advantage could be derived / from it to the latter in the practice of his / profession; the Greeks had an[i] a sort of rude Original Art / amongst themselves which seems to have been the / growth of their own country, like the people of / Otaiheite, those of[ii] (see Cooke's Voyages) those of / the Musquato-shore) the the[sic] Antiquarian Month- / -ly repository) those of Mexico (Warburton's Divine legation of Moses) & other Nation's could[iii] whose / connection could be but distantly traced / Pausanias in Boetica, says the Thespians reveren / -ced from the beginning[iv] Cupid, most of the Gods from the beginning / whose most ancient image was a certain rude / stone, the same Author in Achaica says at / Pharis were 30 square stones which were worship- / ped under the names of so many Gods, he adds / formerly in all the country's of Greece rude stones / were worshipped for Gods & thence the worship / of Statues or Images, hence also says the same / Hermes of the Gods; Daedalus 2 Ages before / the war of Troy is said to have given motion / to his figures by releiving the legs from each[v] / Pausanias wi[vi] says there was in Corinth 2d a / a wood figure of Hercules with a naked / body
  • Location: Verso
  • Method of creation: Brown ink

Identification numbers

Accession number: 832/5.f.31
Primary reference Number: 38282
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Thursday 20 May 2021 Last processed: Tuesday 13 June 2023

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Paintings, Drawings and Prints

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Investigation of the nature of art and its genesis in Greek traditions" Web page available at: https://collection.beta.fitz.ms/id/object/38282 Accessed: 2024-11-22 11:54:34

Citation for Wikipedia

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{{cite web|url=https://collection.beta.fitz.ms/id/object/38282 |title=Investigation of the nature of art and its genesis in Greek traditions |author=The Fitzwilliam Museum|accessdate=2024-11-22 11:54:34|publisher=The University of Cambridge}}

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https://collection.beta.fitz.ms/api/v1/objects/object-38282

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