William Shakespeare (1564-1616)
Factory:
Derby Porcelain Factory
Proprietor:
Robert Bloor & Co.
Designer:
Kent, William
(After)
Sculptor:
Scheemakers, Peter
(After)
Cast maker:
Cheere, John
(Possibly)
Bone china figure of William Shakespeare standing beside a pedestal painted in enamels and gilded
Bone china (?) figure of William Shakespeare, slip-cast, and painted overglaze in green, yellow, pink, flesh, red, purple, and brown enamels, and gilt. The unglazed underside has a large central ventilation hole through which the partly glazed interior can be seen. The base is rectangular with cut corners, and fluted sides, which have a gold line round the top and bottom edges. The poet stands with his right leg crossed over his left, leaning on his right elbow on a pile of three books resting on top of a three-sided pedestal. With his left hand he points to an inscription on a scroll handing down from below the books. His hair and beard are brown, and he has ruddy cheeks, and red lips. He wears a close-fitting jacket, with gold decoration on the front, and gold buttons; breeches with gold buttons and a band at the knee; a long cloak with a pink lining and gold edges, and shoes with gold ties on top. The pedestal is decorated on the angles with heads of Henry V, Richard III, and Queen Elizabeth with volutes below. The books are red and gold, green and purple, and purple and yellow. The scroll is inscribed in gold in capital letters:
THE CLOUD CAPPED TOW[ERS] . . .
THE GORGEOUS PALACES
THE SOLEMN TEMPLES
THE GREAT GLOBE itself ….
YEA, ALL WHICH [IT INHERIT] ……
SHALL DISSOLVE
[LIKE] THE [BASELESS]
[FABRIC OF A] VISION
[LEA]VE NOT A WRECK
BEHIND
History note: Uncertain before donor, Ralph Griffin, MA, FSA (St John's College, Cambridge)
Given by Ralph Griffin, MA, FSA
Height: 25.2 cm
Width: 13.9 cm
Method of acquisition: Given (1918-08-28) by Griffin, Ralph, MA, FSA
Bloor Period
19th Century
George IV
Circa
1825
CE
-
1828
CE
Bone china replaced soft-paste porcelain at Derby at an unknown date between 1810-15, initially for useful wares.
This is a late example of a model which was introduced on a low scrolled base in the late 1750s, and later on a rectangular base with cut corners and fluted sides. The model was derived from the monument in Westminster Abbey, designed by William Kent (1685-1748) and executed in marble by Peter Scheemakers (1681-1761) in 1740. Its direct prototype was probably a reduced-size plaster, such as one of those stocked by John Cheere in London. See Documentation, Friedman (1974) and Lippert ( 1987) . It was often sold as a pair with Milton, see C.49B-1918. The inscription is taken from one of Prospero's speeches in the Tempest, Act IV, Scene I, but is not identical to the accepted modern text, and also differs from the inscription on the Fitzwilliam's earlier biscuit Shakespeare.
Decoration composed of enamels ( green, yellow, pink, flesh, red, purple, and brown) gold
Slip-casting : Bone china, slip-cast and painted overglaze in green, yellow, pink, flesh, red, purple, and brown enamels, and gilt. The unglazed underside has a large central ventilation hole through which the partly glazed interior can be seen.
Inscription present: a circular with a crown in the centre and 'BLOOR/ DERBY' around it between concentric circles
Inscription present: large script N
Accession number: C.49A-1918
Primary reference Number: 42720
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024) "William Shakespeare (1564-1616)" Web page available at: https://collection.beta.fitz.ms/id/object/42720 Accessed: 2024-12-18 11:20:38
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{{cite web|url=https://collection.beta.fitz.ms/id/object/42720
|title=William Shakespeare (1564-1616)
|author=The Fitzwilliam Museum|accessdate=2024-12-18 11:20:38|publisher=The
University of Cambridge}}
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