Skip to main content

The Crucifixion: MAR.C.57-1912

An image of Panel

Photograph copyright © The Fitzwilliam Museum, Cambridge.

Terms of use

These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.

Download this image

Creative commons explained - what it means, how you can use our's and other people's content.

Colours in this image

Alternative views

Object information

Titles

The Crucifixion

Maker(s)

Mancini Workshop (Pottery)
Probably Mancini, Giacomo (Painter)

Description

Maiolica panel painted in polychrome with the Crucifixion.

Buff earthenware, tin-glazed on the front and outside edges; reverse unglazed. Painted in blue, green, yellow, orange, brown, stone, and manganese-purple. Square with a raised edge and a suspension hole in each corner.
The Crucifixion. The Cross is in the centre, with Mary Magdalene at its foot and the Virgin and St John to the left, surrounded by Roman cavalry and foot soldiers. A soldier on the left holds a shield charged with a scorpion, and another to the right of the Cross holds a scorpion standard. The crosses of the two malefactors are further back. In the sky above them is the sun on the left, and the moon on the right. The raised edge is yellow. The back is inscribed in greyish-black: 'DIRVTI/ISSVI'.

Notes

History note: Unknown before testator, Charles Brinsley Marley (1831-1912)

Legal notes

C.B. Marlay Bequest

Measurements and weight

Depth: 2.5 cm
Height: 40 cm
Width: 41.3 cm

Relative size of this object

41.3 cm40 cm2.5 cm What does this represent?

Relative size of this object is displayed using code inspired by Good Form and Spectacle's work on the British Museum's Waddeson Bequest website and their dimension drawer. They chose a tennis ball to represent a universally sized object, from which you could envisage the size of an object.

Place(s) associated

  • Deruta ⪼ Umbria ⪼ Italy

Acquisition and important dates

Method of acquisition: Bequeathed (1912) by Marlay, Charles Brinsley

Dating

Third quarter of 16th century
Renaissance
Production date: dated AD/CE 1556 : the inscription in a mixture of arabic and Roman numerals appears to be 1556

Note

Label text from the exhibition ‘Madonnas and Miracles: The Holy Home in Renaissance Italy’, on display at The Fitzwilliam Museum from 7 March until 4 June 2017: In this brightly coloured panel figures crowd in, horses stamp their hooves and draperies swirl. At the centre, Christ is still and calm despite his sufferings. One cavalryman holds a flag with a scorpion, a symbol of Judas’s terrible betrayal of Christ. The piece was pierced prior to firing, which indicates that it was designed to be hung on a wall.

School or Style

Renaissance

People, subjects and objects depicted

Components of the work

Decoration: composed of high-temperature colours ( blue, green, yellow, orange, brown, stone, and manganese-purple) tin-glaze Suspension Holes:

Materials used in production

Earthenware

Inscription or legends present

  • Text: DIRVTI/ISSVI
  • Location: On back
  • Method of creation: Painted in greyish-black

References and bibliographic entries

Related exhibitions

Identification numbers

Accession number: MAR.C.57-1912
Primary reference Number: 48588
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Wednesday 25 November 2020 Last processed: Friday 21 May 2021

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2020) "Panel" Web page available at: https://collection.beta.fitz.ms/id/object/48588 Accessed: 2021-12-06 18:24:11

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://collection.beta.fitz.ms/id/object/48588|title=Panel|author=The Fitzwilliam Museum|accessdate=2021-12-06 18:24:11|publisher=The University of Cambridge}}

Bootstrap HTML code for reuse

<div class="text-center my-3"> <figure class="figure"> <img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa35/MAR_C_57_1912_201602_kly25_dc2.jpg" alt="The Crucifixion" class="img-fluid" /> <figcaption class="figure-caption text-info">The Crucifixion</figcaption> </figure> </div>

Please enter your name as you would like to be addressed
Please enter your email address
The object accession number - this is prefilled
Please enter your query with as much detail as possible

More objects and works of art you might like

Crucifixion

Accession Number: PD.8-1955

The Crucifixion

Accession Number: 558

The Crucifixion

Accession Number: PD.77-1972

Crucifixion

Accession Number: 564

Suggested products from Curating Cambridge

You might be interested in this...

Sign up for updates

Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...

University of Cambridge Museums logo
Arts Council England Logo
Research England logo
The Technology Partnership logo
Brewin Dolphin Logo