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The Prodigal Son (Good-Bye)
Factory:
Unidentified Pottery
Decorator:
unidentified enameller
Lead-glazed creamware painted in enamels with scene from the parable of the Prodigal Son.
Pale cream-coloured earthenware covered in a clear lead-glaze and painted overglaze with coloured enamels. The plate has a six-lobed wavy rim with a double moulded line around the edge. Each lobe is painted with red, yellow and blue bands around the edge and yellow scrolls, green leaves and a red cross in the centre. The scene in the middle of the plate shows the Prodigal Son leaving his family home. On the left, two horses are being prepared for travel by a stable-hand in a tricorn hat. On the right, the Son and another man shake hands. In the background are columns and arches painted with wavy-red patterns to create a marble effect. Beneath the scene is the title: ‘GOOD- BΫE’. Marked on the base with impressed lozenge.
History note: Provenance unidentified before Mr Stoner, London, who sold as part of set of six plates (C.1184-1928 – C.1184E-1928) for £26 on 13 January 1919 to Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge
Dr J.W.L. Glaisher Bequest
Diameter: 25.1 cm
Height: 2.7 cm
Method of acquisition: Bequeathed (1928-12-07) by Glaisher, J. W. L., Dr
Although the plate itself is of English manufacture, the overglaze painted decoration is thought to be Dutch. The Prodigal Son scenes on the plates are a common motif on Dutch decorated English creamware, often appearing with Dutch captions rather than the English ones. Some of scenes from this set of plates appear with different English captions on three stylistically comparable plates in the Metropolitan Museum in New York (1971.180.199-201).
The lozenge mark on the plate is listed in Godden’s ‘Encyclopaedia of British Pottery and Porcelain Marks’ as being a workman’s mark used at the Swansea pottery c.1800-10 but Donald Towner suggests it also appears on 18th-century creamware, sometimes in conjunction with Wedgwood marks.
This plate belongs to a set of six (C.1184-1928 - C.1184E-1928) which illustrates the parable of the Prodigal Son. The scenes on the plates are derived from Richard Purcell’s prints, published in London in that early 1750s, after a series of paintings of the Prodigal Son by the French artist Sebastien le Clerc. The scene on this plate is the second in the set: it shows the Prodigal Son leaving after he has received the money from his father.
clear
Lead-glaze
cream-coloured
Earthenware
Enamels
Press-moulding
: Press-moulded cream-coloured earthenware covered in a clear lead-glaze and painted overglaze in coloured enamels
Painting overglaze
Lead-glazing
Inscription present: lozenge
Inscription present: circular, stick-on paper label with border printed in black with ‘J. W. L. GLAISHER COLLECTION’
Inscription present: octagonal, stick-on paper label with blue border
Accession number: C.1184A-1928
Primary reference Number: 71472
Old catalogue number: 4610(1)
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
The Fitzwilliam Museum (2024) "The Prodigal Son (Good-Bye)" Web page available at: https://collection.beta.fitz.ms/id/object/71472 Accessed: 2024-11-25 00:04:23
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://collection.beta.fitz.ms/id/object/71472
|title=The Prodigal Son (Good-Bye)
|author=The Fitzwilliam Museum|accessdate=2024-11-25 00:04:23|publisher=The
University of Cambridge}}
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https://collection.beta.fitz.ms/api/v1/objects/object-71472
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa2/C_1184A_1928_281_29.jpg"
alt="The Prodigal Son (Good-Bye)"
class="img-fluid" />
<figcaption class="figure-caption text-info">The Prodigal Son (Good-Bye)</figcaption>
</figure>
</div>
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