The Prodigal Son (Repentance): C.1184E-1928

Titles

The Prodigal Son (Repentance)

Maker(s)

Factory: Unidentified Pottery
Decorator: unidentified enameller

Entities

• Plate

Categories

• Lead-glazed earthenware
• Creamware

Description

Lead-glazed creamware painted in enamels with scene from the parable of the Prodigal Son.

Pale cream-coloured earthenware covered in a clear lead-glaze and painted overglaze with coloured enamels. The plate has a six-lobed wavy rim with a double moulded line around the edge. Each lobe is painted with red, yellow and blue bands around the edge and yellow scrolls, green leaves and a red cross in the centre. The scene in the centre of the plate shows the Prodigal Son’s return home. He is bent on one knee before two standing men. One of them reaches out to embrace the Prodigal Son while the other hands him a cloak. A small dog jumps at his knee and behind him stand two women. In the background are arches and columns painted in imitation of red-veined marble. Beneath the scene is the title: ‘REPENTANCE’. Marked on the base with impressed lozenge.

Notes

History note: Provenance unidentified before Mr Stoner, London, who sold as part of set of six plates (C.118-1928 – C.1184E-1928) for £26 on 13 January 1919 to Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge

Legal notes

Dr J.W.L. Glaisher Bequest

Acquisition and important dates

Method of acquisition: Bequeathed (1928-12-07) by Glaisher, J. W. L., Dr

Note

Although the plate itself is of English manufacture, the overglaze painted decoration is thought to be Dutch. The Prodigal Son scenes on the plates are a common motif on Dutch decorated English creamware, often appearing with Dutch captions rather than the English ones. Some of scenes from this set of plates appear with different English captions on three stylistically comparable plates in the Metropolitan Museum in New York (1971.180.199-201).

The lozenge mark on the plate is listed in Godden’s ‘Encyclopaedia of British Pottery and Porcelain Marks’ as being a workman’s mark used at the Swansea pottery c.1800-10 but Donald Towner suggests it also appears on 18th-century creamware, sometimes in conjunction with Wedgwood marks.

This plate belongs to a set of six (C.1184-1928 - C.1184E-1928) which illustrates the parable of the Prodigal Son. The scenes on the plates are derived from Richard Purcell’s prints, published in London in that early 1750s, after a series of paintings of the Prodigal Son by the French artist Sebastien le Clerc. The scene on this plate shows the Prodigal Son returning repentant to his father after squandering his wealth on worldly pleasures.