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Painter:
Avelli, Francesco Xanto
Printmaker:
Raimondi, Marcantonio
(After)
Printmaker:
Veneziano, Agostino
(After)
Tin-glazed earthenware painted in polychrome, with an unidentified figures in a landscape.
Buff earthenware, tin-glazed overall; the reverse off-white and tinged with green. Painted in shades of blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 58, with two shallow concentric grooves under the edge. Circular with a broad, slightly sloping rim and small, deep well; the underside of the rim moulded with three bands of reeding.
On the left, a soldier stands with his back to the viewer, his body turned to the left and his left hand grasping an anchor attached by a ring to a broken-down wall in front of him; his right hand rests on a shield. A man stands beyond the wall, looking out over a landscape with a river, hills and a distant town. On the right, beneath a looped-up curtain, an elderly bearded man stands drawing his cloak around him. In the right foreground, a draped putto hides his face in his hands, turning away from the brilliance of the sun surrounded by swirling clouds. A black line and a yellow line encircle the edge. The back is inscribed in the middle in very dark blue: '.1534./Gia fiameggiaua l'/amorosa stella./.F.X.A.R./i/Urbino.'(Already the loving star was flaming .F.X.A.R. in Urbino.).
History note: Henry Harris before 1930; Louis C.G. Clarke
L.C.G. Clarke Bequest, 1960
Diameter: 25.8 cm
Height: 4.1 cm
Method of acquisition: Bequeathed (1960) by Clarke, Louis Colville Gray
16th Century, second quarter#
Renaissance
Production date:
AD 1534
: dated
The figures on the dish were drawn from four printed sources. The warrior on the left was adapted and reversed from Sol by the Monogramist I.B. The bearded man on the right was derived from a figure on the extreme left of the balcony in the Martyrdom of St Lawrence engraved by Marcantonio Raimondi after Baccio Bandinelli, again reversed. The man in the centre was probably based on a man in the middle of the balcony in the same print. The putto is a reversed, draped and wingless version of Cupid in the Death of Cleopatra, engraved by Agostino Veneziano after Raphael
Decoration composed of high-temperature colours ( blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, and white)
Moulding
: Buff earthenware, tin-glazed overall; the reverse off-white and tinged with green. Painted in shades of blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, and white.
Tin-glazing
Accession number: C.82-1961
Primary reference Number: 76184
Stable URI
Owner or interested party:
The Fitzwilliam Museum
Associated department:
Applied Arts
This record can be cited in the Harvard Bibliographic style using the text below:
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IIIF Manifest
The Fitzwilliam Museum (2024) "Bowl with broad rim" Web page available at: https://collection.beta.fitz.ms/id/object/76184 Accessed: 2024-12-23 17:58:16
To cite this record on Wikipedia you can use this code snippet:
{{cite web|url=https://collection.beta.fitz.ms/id/object/76184
|title=Bowl with broad rim
|author=The Fitzwilliam Museum|accessdate=2024-12-23 17:58:16|publisher=The
University of Cambridge}}
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https://collection.beta.fitz.ms/api/v1/objects/object-76184
To use this as a simple code embed, copy this string:
<div class="text-center">
<figure class="figure">
<img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa20/C_82_1961.jpg"
alt="Bowl with broad rim"
class="img-fluid" />
<figcaption class="figure-caption text-info">Bowl with broad rim</figcaption>
</figure>
</div>
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