Skip to main content

Cupid and Psyche: C.944-1928

An image of Figure group

Terms of use

These images are provided for non-commercial use under a Creative Commons License (BY-NC-ND). To license a high resolution version, please contact our image library who will discuss fees, terms and waivers.

Download this image

Creative commons explained - what it means, how you can use our's and other people's content.

Alternative views

Object information

Current Location: In storage

Titles

Cupid and Psyche

Maker(s)

Factory: Wood, Enoch (Probably)
Factory: Wood & Caldwell (Probably)

Entities

Categories

Description

Lead-glazed earthenware painted in enamels

White earthenware moulded, coated with blue-tinted lead-glaze, and painted in green, flesh dark pink, a little red, brown grey and black enamels.

Notes

History note: Percy Fitzgerald Collection; sold Christie, Manson & Woods, 24 January 1908, Catalogue of the earthenware collection of Staffordshire ware formed during the past forty years by Percy Fitzgerald Esq., FSA of 37 St George’s Road, S.W., part of lot 112; Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge

Legal notes

Dr J.W.L. Glaisher Bequest

Measurements and weight

Height: 51.8 cm

Place(s) associated

  • Burslem ⪼ Staffordshire ⪼ England

Acquisition and important dates

Method of acquisition: Bequeathed (1928-12-07) by Glaisher, J. W. L., Dr

Dating

18th Century, Late
George III
Circa 1785 CE - 1800 CE

Note

This group was derived either from a now lost marble which was excavated by Conte Giuseppe Fede (d. 1777) at Hadrian's Villa at Tivoli, and removed to his house in Rome, or from a copy made about 1730 by Laurent Delvaux, who brought it back to England when he returned. After he had left for Brussels in 1733, Delvaux left his marble with another sculptor, Peter Scheemakers, who sold it on his behalf in 1734 to John, 4th Duke of Bedford for his country seat, Woburn Abbey, Bedfordshire. Count Fede's marble was identified as Cupid and Psyche, but because of the position of Cupid's head and right arm, later became known as 'Biblis and Caunus' or 'Salmacis and Hermaphroditus'. According to Haskell and Penny (1981) this was because of a restorer (having altered the position of Cupid's head and right hand). Later, these titles were dropped and it reverted to 'Cupid and Psyche', because of its resemblance to the embracing 'Cupid and Psyche' discovered in 1749 and placed in the Capitoline Museum. Rome. Count Fede's marble was also recorded in a red chalk drawing by Pompeo Battoni c. 1727-30, bequeathed by Richard Topham (1671-1730) to Eton College (Topham Collection, Bn3, no. 21). The pottery group was probably produced from a reduced size plaster purchased from a London cast maker. The Catalogue of Charles Harris (undated c. 1790), for example, included plasters of both 'Cupid and Psyche', and 'Salmacis and Hermaphroditus', 21 in high which sold for 2 guineas each. The pottery figures differ from the marbles in having oak leaves added to Cupid for modesty to make the group acceptable to the middle class patrons for whom it must have been intended, and for whom, according to Josiah Wedgwood, such adjustments were necessary. Copies of both Conte Fede's and the Capitoline 'Cupid and Psyche' were sometimes paired with copies of the Marbury Hall 'Bacchus and Ariadne' now identified as Priapus and a Maenad (for example on either side of mantelpiece at Ickworth, Suffolk), and it seems probable that the pottery versions might also have been displayed in pairs. See C.904-1928, a Staffordshire earthenware Bacchus and Ariadne, probably made by Enoch Wood or Wood & Caldwell.

School or Style

Neoclassical

People, subjects and objects depicted

Components of the work

Decoration composed of enamel ( green, flesh pink, dark pink, a little red, brown grey and black)
Base Width 20 cm

Materials used in production

blue-tinted Lead-glaze
white Earthenware

Techniques used in production

Moulding : Earthenware, moulded, with blue-tinted lead-glaze, painted in green, flesh pink, a little red, brown, grey and black enamels
Lead-glazing

References and bibliographic entries

Related exhibitions

Identification numbers

Accession number: C.944-1928
Primary reference Number: 76424
Old object number: 2894
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Tuesday 23 January 2024 Last processed: Tuesday 23 January 2024

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2024) "Cupid and Psyche" Web page available at: https://collection.beta.fitz.ms/id/object/76424 Accessed: 2024-11-21 20:08:55

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://collection.beta.fitz.ms/id/object/76424 |title=Cupid and Psyche |author=The Fitzwilliam Museum|accessdate=2024-11-21 20:08:55|publisher=The University of Cambridge}}

API call for this record

To call these data via our API (remember this needs to be authenticated) you can use this code snippet:

https://collection.beta.fitz.ms/api/v1/objects/object-76424

Bootstrap HTML code for reuse

To use this as a simple code embed, copy this string:

<div class="text-center">
    <figure class="figure">
        <img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa27/C_944_1928_1_201203_mdb56_mas.jpg"
        alt="Cupid and Psyche"
        class="img-fluid" />
        <figcaption class="figure-caption text-info">Cupid and Psyche</figcaption>
    </figure>
</div>
    

Sign up for updates

Updates about future exhibitions and displays, family activities, virtual events & news. You'll be the first to know...