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The Descent from the Cross: MAR.C.63-1912

An image of Dish

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Object information

Titles

The Descent from the Cross

Maker(s)

Unknown (Painter)
Raimondi, Marcantonio (Engraver)

Description

Maiolica dish on a low foot, painted in polychrome, with The Descent from the Cross.

Pale yellowish buff earthenware, tin-glazed overall; the reverse pale beige. Painted in blue, green, turquoise, yellow, orange, brown, and black. Shape 78. Circular with shallow upturned sides, standing on a footring, replacing a higher foot.
The Descent from the Cross. Four men, two on each of two ladders, are lowering Christ from the Cross while the four Marys grieve at its foot. In the background to left there is a castle beside the massive arch of a ruined arcade, and to the right, a column with a broken architrave above it. The edge is yellow. The middle of the back is inscribed in blue, `1542/Qui se dimostra cômo il nasari' (Here is shown how the Nazarene) and there are two yellow bands round the edge.

Notes

History note: Possibly Countess Baldovinetti, Florence; sold Paris, Hotel des commissaires priseurs, rue Drouot, 5, M. Ridel, commissaire-priseur, 10-11 April 1854, Catalogue d'une jolie collection de majoliques italiennes . . . . provenant du Palais de Mme la Comtesse` Baldoniretti [sic], de Florence , pp. 8-9, lot 46. C.B. Marlay, London by whom bequeathed.

Legal notes

C.B. Marlay Bequest

Measurements and weight

Diameter: 27.8 cm
Height: 4.8 cm

Place(s) associated

  • Urbino ⪼ The Marches ⪼ Italy
  • Verona ⪼ The Veneto ⪼ Italy

Acquisition and important dates

Method of acquisition: Bequeathed (1912) by Marlay, Charles Brinsley

Dating

Mid 16th century
Production date: AD/CE 1542 : dated

Note

Probably made in Urbino or Verona

The source for the figures was the Descent from the Cross, engraved by Marcantonio Raimondi after Raphael. The background is entirely different and there are minor differences in the position of the ladders and figures.

School or Style

Renaissance

People, subjects and objects depicted

Components of the work

Decoration: composed of high-temperature colours ( blue, green, turquoise, yellow, orange, brown, and black)

Materials used in production

Tin-glaze Earthenware

Techniques used in production

Tin-glazing : Pale yellowish buff earthenware, tin-glazed overall; the reverse pale beige. Painted in blue, green, turquoise, yellow, orange, brown, and black.

Inscription or legends present

  • Text: 1542/Qui se dimostra cômo il nasari
  • Location: On base
  • Method of creation: Painted in blue

References and bibliographic entries

Related exhibitions

Identification numbers

Accession number: MAR.C.63-1912
Primary reference Number: 77385
Stable URI

Audit data

Created: Saturday 6 August 2011 Updated: Tuesday 25 February 2020 Last processed: Friday 21 May 2021

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Applied Arts

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2020) "Dish" Web page available at: https://collection.beta.fitz.ms/id/object/77385 Accessed: 2021-12-07 08:15:48

Citation for Wikipedia

To cite this record on Wikipedia you can use this code snippet:

{{cite web|url=https://collection.beta.fitz.ms/id/object/77385|title=Dish|author=The Fitzwilliam Museum|accessdate=2021-12-07 08:15:48|publisher=The University of Cambridge}}

Bootstrap HTML code for reuse

<div class="text-center my-3"> <figure class="figure"> <img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa1/MAR_C_63_1912_281_29.jpg" alt="The Descent from the Cross" class="img-fluid" /> <figcaption class="figure-caption text-info">The Descent from the Cross</figcaption> </figure> </div>

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