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Studies after Barocci's 'Il Perdono': 2864

An image of Drawing
View image details Mirador icon - view image Mirador deep zoom IIIF Manifest IIIF Manifest Slow looking

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Alternative views

An image of Drawing
An image of Drawing
An image of Drawing
Current Location: In storage

Titles

Studies after Barocci's 'Il Perdono'
Another study after Barocci's 'Il Perdone'

Maker(s)

Draughtsman: Zuccari, Federico

Entities

Categories

Notes

History note: Clough, G.T.

Measurements and weight

Height: 202 mm
Width: 147 mm

Acquisition and important dates

Method of acquisition: Given (1913) by Clough, G.T.

School or Style

Italian

Materials used in production

Brown wash
Black chalk
Red chalk

Components of the work

Support composed of paper

Techniques used in production

Drawing (image-making) : Recto: black and red chalk verso: black and red chalk with a brown wash border on all sides, on paper

Inscription or legends present

  • Text: Federico Barocci
  • Location: Verso, lower left
  • Method of creation: Brown ink
  • Text: 26 (or 86)
  • Location: Verso, lower left
  • Method of creation: Brown ink
  • Text: (traces of another number)
  • Location: Upper right

Identification numbers

Accession number: 2864
Primary reference Number: 8030

Audit data

Created: Saturday 6 August 2011 Updated: Monday 11 March 2024

Associated departments & institutions

Owner or interested party: The Fitzwilliam Museum
Associated department: Paintings, Drawings and Prints

Citation for print

This record can be cited in the Harvard Bibliographic style using the text below:

The Fitzwilliam Museum (2025) "Studies after Barocci's 'Il Perdono'" Web page available at: https://collection.beta.fitz.ms/id/object/8030 Accessed: 2025-12-05 08:49:19

Citation for Wikipedia

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{{cite web|url=https://collection.beta.fitz.ms/id/object/8030 |title=Studies after Barocci's 'Il Perdono' |author=The Fitzwilliam Museum|accessdate=2025-12-05 08:49:19|publisher=The University of Cambridge}}

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        <figcaption class="figure-caption text-info">Studies after Barocci's 'Il Perdono'</figcaption>
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